Shameless Self Expression

Set in Maycomb, Alabama in the early 30s, widowed lawyer Atticus Finch (Gregory Peck) raises his kids Jem (Phillip Alford) and wilful tomboy ‘Scout’ (Mary Badham) whilst juggling his responsibilities in defending black man Tom Robinson (Brock Peters), accused of raping white (trash) girl Mayella Ewell (Collin Wilcox). Whilst the predominantly white townsfolk are mostly whooped up into a racist frenzy, calm and reasoned Atticus tries his best to educate his kids or at least shield them from the worst of it. Meanwhile, Jem, Scout, and visiting kid Dill Harris (John Megna) are intrigued by the infamous, supposedly deranged, and never seen neighbourhood ‘phantom’ Boo Radley (Robert Duvall). Directed by Robert Mulligan ( “Bloodbrothers” , the underrated “The Spiral Road” ) and scripted by Horton Foote ( “Tender Mercies” , he uneven 1992 version of the Steinbeck classic “Of Mice and Men” ), this 1962 film adaptation of the Harper Lee novel is a very good film based on an absolutely

Set not in Amity, but Florida’s Sea World, this sequel has Chief Brody’s two sons facing their own shark problem. How a shark can find its way into an amusement park is one of life’s greatest mysteries, but never mind, this is a movie after all. Dennis Quaid is Mike Brody, the park’s chief engineer who is currently bonking the park’s senior biologist Bess Armstrong. Both find a baby shark, which of course they end up using as an attraction. Let’s just say that mummy doesn’t take kindly to those who snatcher baby away from her. In fact, she gets awfully bitey. Did I mention that mummy is 35 feet in length? John Putch plays younger brother Sean Brody, whose girlfriend is Lea Thompson, one of the park’s water-skiers (shark + water skiers= uh-oh!). Lou Gossett Jr. is the park head honcho who ignorantly refuses to listen to Quaid and Armstrong and close the damn park. Money to be made, tourists...you know the drill by now. Simon MacCorkindale plays a dashing but arrogant and reckless adve

Two tennis careers collide in this recount of the notorious 1973 tennis match between female tennis star Billie Jean King (Emma Stone) and the very shy and retiring male tennis star Bobby Riggs (Steve Carell). While women players like Billie Jean are struggling for recognition and parity within the sport, self-proclaimed chauvinist Riggs is 55 years-old and looking for the next thing to bring him a little bit of attention and money. And that’s when he gets the idea of a man vs. woman tennis match. Initially King baulks, and so Riggs offers the opportunity to King’s rival, Conservative Australian tennis champ Margaret Court (Jess McNamee). Eventually though, Riggs and King are destined to have a showdown. Meanwhile, King strays in her marriage, getting involved with female hairdresser Marilyn (Andrea Riseborough). Bill Pullman is the sexist, unwavering head of the Tennis Association, Sarah Silverman is the female players’ spokesperson, Alan Cumming is a swishy fashion designer, and

Set in a Southern California high school, where crime and vandalism is becoming an unfortunate frequent occurrence. A student body full of the school’s richest (WASP) students band together as a vigilante gang named The Sentinels, aimed at apprehending the hooligans and keeping the school clean and safe. Or so they say. It turns out that The Sentinels have rather aggressive tactics, and might even be involved in murdering students, possibly even ones who aren’t delinquent in nature. Certainly it is rather alarming that the students end up dead shortly after a visit from The Sentinels. J. Eddie Peck plays a new student (who isn’t rich) and school journalist who is recruited by Sentinels leader John Stockwell (best known as the second lead in “Christine” ) to try and paint them in a more positive light. But Peck starts to feel uneasy, especially when his pun, non-conformist best friend Krooger (Bradford Bancroft) suddenly disappears after a visit from The Sentinels. Carey Lowell play

Jessica Rothe is a generally unpleasant college student who wakes up in the dorm of a guy she doesn’t know after a night she doesn’t remember. It’s her birth day, but it’s also set to be her last day on Earth. Well, sort of. You see, by the end of the night Rothe meets a violent end…only to wake up the next morning…actually, she wakes up to the same morning. Over and over again. Unable to escape it, let alone unable to escape dying at the end of the night. Eventually she realises that the best course of action is to try and figure out who her masked killer is, and perhaps put a stop to this whole cyclical mess. Horror movies weren’t exactly gory in the 40s, 50s, and 60s, so I don’t outright believe a horror film stands or fall on the basis of how much blood is in it. Hell, they don’t even need to be ‘scary’ to be ‘great’. However, if ever a film needed to be violent (or at least scary), it’s this tepid 2017 mixture of “April Fool’s Day” , “Heathers” , “Before I Fall” , and “G