Review: Birth of the Dragon
Set in 1964, martial artist Bruce
Lee (Philip Ng) hopes to teach Wing Chun Kung-Fu to westerners through his own
school but also the entertainment industry. Meanwhile, reserved Shaolin monk
and martial arts Master Wong Jack Man (Xia Yu) is also in San Francisco,
supposedly trying to atone for nearly killing a man in a fight. The cocky and
charismatic Mr. Lee, however believes Wong Jack Man is in town as a
representative of those who believe he is committing a great sin by teaching
Kung-Fu to westerners. Billy Magnussen plays Steve McKee, a student of Lee’s
who becomes friendly with the quieter, milder Wong Jack Man and wants to see
them fight.
One of the lousiest biopics to
come along in quite a while, this 2017 film from director George Nolfi (the
excellent Matt Damon film “The Adjustment Bureau”) is unlikely to
satisfy anyone. Curiously released by WWE Studios and a subsidiary of
Blumhouse, apparently the film went through significant changes in
post-production due to poor test screenings that suggested the film cut down
the fictionalised Steve McQueen character’s role in the film. Having seen the
completed and released effort, I’ve got to wonder just how colossally askew the
original vision was, because the film still has a massive identity crisis. Nolfi
and his screenwriters Stephen J. Rivele and Christopher Wilkinson (who teamed
up for two other unconvincing biopics, “Nixon” and “Ali”) have no
clue whether their main character here is Bruce Lee, Billy Magnusson’s
fictionalised ‘Steve McKee’ (Seriously, if you’re gonna call him that, just
call him Steve McQueen, right?), or Xia Yu’s Wong Jack Man. If I had to make a
call, I’d say it still leaned too far towards McKee, at the end of the day.
It’s a big bloody problem, too.
I knew I was in trouble here when
a credit flashed that the film was merely ‘inspired’ by the fight between Bruce
Lee and Wong Jack Man. Things get even worse with the vague opening setting
‘The birthplace of Kung-Fu’. Yeah, this one’s a storytelling mess of pretty
sizeable proportions. Worse, the whole thing comes across as very TV-movie in
its treatment of some genuinely fascinating events (in theory at least). It’s
incredibly bland, and (opening a whole can of cultural worms) told mostly from
a white dude’s peripheral (and unnecessarily fictionalised) POV, the film never
grabs you like it really ought to. I mean, Bruce Lee was a fascinating and
magnetic guy whose story should’ve made for a great film. It made for a pretty
OK one in “Dragon: The Bruce Lee Story”, but in Nolfi’s film, it’s not
clear just what the film is interested in. Certainly not the two participants
in the central conflict, as they remain supporting players. Certainly not
martial arts action (crafted by Ng and Corey Yuen), which is staged too
simplistically and clichéd. Funnily enough, I don’t think the film has much
interest in Mr. McKee either, as although he gets quite a lot of screen time,
the film never bothers to give the character much depth. We don’t find out
anything about him or what he does beyond Kung-Fu. I understand paring down the
role to decrease his significance to a story that he frankly shouldn’t be front
and centre of, but the editorial efforts weren’t enough and leave a film that
makes very little narrative or character sense. What motivates McKee to
interact with Wong Jack Man in the first place? ‘Coz he wants to see him fight
Bruce Lee? That’s a bit of a dickish motivation, certainly a superficial and
unsatisfying one. Not to mention there’s no way on Earth Steve McQueen was
anything like this guy, and giving him a barely different name is no excuse to
create unconvincing bullshit.
Billy Magnuson is just OK as the
McQueen substitute, and Philip Ng is fine as Bruce Lee despite looking nothing
like him (He sounds and acts a bit like him). He doesn’t have the charisma or
presence of Lee, but who does? He was one of a kind. The character of Wong Jack
Man is pretty interesting, however the wooden Xia Yu is not. I’ll give the filmmakers credit for not simply giving us yet
another tale of Lee teaching Kung Fu to westerners leading to his eventual
downfall. Lee is shown to be a show pony, Wong Jack Man a reserved Shaolin
monk. They obviously have big philosophical and stylistic differences. However,
I do think the film overplays Lee’s arrogance and aggression at times,
especially in the final fight where Wong Jack Man causes Lee to fight with too
much aggression and anger. This is the very thing we hear Lee teach McKee not
to do at the beginning of the film. That’s not clever and ironic, it’s simply
unbelievable and stupid. The film goes completely off the rails after that when
it turns into a buddy action movie with our two former adversaries awkwardly
teaming up to kick arse and mount a rescue mission. WTF? For starters, it goes
completely against everything we’ve known (which isn’t much) about at least one
of those characters thus far. Yeah, this…isn’t good. Why take this story and
then just make shit up? I’m sorry, but renaming the McQueen character to McKee
doesn’t allow you the right to make up the idea that Wong Jack Man was Steve
McQueen’s sifu. It’s just dishonest storytelling. Also, why is Wong Jack Man
using a modern MMA takedown at one point? Because the film is bullshit, that’s
why.
The film falters by trying to tell
three stories at once, with simply not enough depth afforded to any of the
three and a whole lot of unconvincing nonsense thrown in. Also not helping
things is that the plot (and to an extent Wong Jack Man as a character) reeks
far too much of an “Ip Man” film, before descending into inappropriate
action movie heroics at the end. So not only is it poorly written and
unconvincing, it’s also completely clichéd, tired, and stupid. This just won’t
do, read a book about the man, or just watch “Fist of Fury” instead of
this fictionalised nonsense. Next time guys, just dispense with any historical
figures/events at all and make a straight-up fictional martial-arts movie, OK?
Rating: C-
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