Review: Number One With a Bullet

 Lame, stale action-comedy with Robert Carradine and Billy Dee Williams teaming up as a couple of unorthodox cops. Carradine is the goofy guy with jealousy issues where his ex Valerie Bertinelli is concerned, whilst Williams is the jazz enthusiast ladies’ man. They go together about as smoothly as Vegemite and bleach. Anyway, they’re hell-bent on nabbing mobster Barry Sattels and will go to any length necessary, even if it earns the ire of their superiors (including stalwart Peter Graves). Unfortunately, Sattels is a model citizen so far as anyone knows, and convincing anyone otherwise will be a hard task. But soon our not-so intrepid detectives uncover a whole mess of corruption that even reaches their own department! Doris Roberts plays Carradine’s nagging mother, famed wrestler Gene LaBell has a cameo, and soap actress Shari Shattuck plays a hot chick in the opening scene.

 
There have been some good ‘buddy teams’ out there over the years in the action-comedy genre, Gibson-Glover (“Lethal Weapon”) and De Niro-Grodin (“Midnight Run”) among them. Carradine-Williams are perhaps one of the worst examples, as this cheap Jack Smight (“Harper”, the excellent “No Way to Treat a Lady”, the all-star “Midway”) flick from 1987 proves for 90 odd minutes. Did I mention that it’s a ‘buddy cop’ entry from The Cannon Group? It certainly looks like a Golan-Globus ‘special’.


The cast looked interesting on paper, especially the supporting cast: Valerie Bertinelli (from a plethora of TV work), Peter Graves (Capt. Oveur himself), Doris Roberts (Ray Romano’s TV mum), and Mykelti Williamson (Bubba!). But then you see the film and...ugh. Casting the silky-smooth Lando Calrissian (Billy Dee Williams) as the sidekick and Lewis Skolnick (Robert Carradine) as the lead, is just one of many problems with this film, but is certainly a good place to start. Carradine is just flat-out miscast and completely goofy. It’s not just that he was in “Revenge of the Nerds II: Nerds in Paradise” the same year (and hey, it’s not a bad sequel, actually), but it certainly doesn’t help. The guy seems to be under the impression he’s Don Johnson, but unfortunately is closer to Don Rickles. Except Rickles has his fans (I’m not one of them, though), I can’t imagine anyone liking Carradine’s work in this. In fact, he’s the third Carradine I’d cast in the role behind Keith and David (in that order). Williams is better, but being pushed into the background in favour of Carradine is to no one’s advantage. Williams barely even has any character to play. Meanwhile, they spend way too much of the film cracking wise without being funny. The only amusing thing in the whole film is Carradine’s attempts at cock-blocking Williams by claiming he’s got sexual dysfunction issues. Yes, that’s the height of this film’s sorry wit, and Williams appears to realise it, looking totally bored.

 
As far as action goes, this is an amazingly lifeless film lacking in any energy whatsoever. I don’t think even Richard Donner (“Lethal Weapon”, “Superman”, “Ladyhawke”) could’ve done much with this sorry, woefully clichéd script, but some energising action scenes might’ve at least kept me awake. That interesting supporting cast? Totally wasted. Graves gives the best performance in the clichéd role of the captain, whilst Doris Roberts plays Robert Carradine’s needy mother in exactly the same manner she’d later play Ray Romano’s needy mother. I hate her on that show and I hated her here too. I can’t stand the woman. Am I alone in this? Bertinelli, meanwhile, is given the worst and most extraneous role in the entire film. I’m no fan, but she’s certainly above playing the fed-up ex-wife of douchebag Carradine, that’s for sure.

 
The film really doesn’t offer anything worthwhile, unless your idea of entertainment is spending 90 minutes trying to figure out what parts of the script are the work of Jim Belushi (who co-wrote the thing). Because sadly, that’s what I ended up doing. I’m pretty sure all the jazz stuff was Belushi’s input, and indeed the film might’ve been a bit better if it was Belushi interacting with Williams and Bertinelli (he got his chance to be in a buddy-cop flick the next year in the underrated “Red Heat”). The screenplay is by Gail Morgan Hickman, Andrew Kurtzman (“Down Periscope”, the underrated “See No Evil, Hear No Evil”), Rob Riley, and the aforementioned Belushi.


Sorry, but this cheap buddy-cop flick is completely lousy. A waste of everyone’s time, unless you absolutely have to see every ‘buddy cop’ flick ever made.


Rating: C-

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