Review: Thunderbolt
Jackie Chan plays
a mechanic, occasional race car driver and reluctant snitch for the police on
illegal street racers. Mostly, though, he’s a humble family man, and it’s his
beloved family that become the target of villainous German crim and illegal
street racer Thorsten Nickel. He kidnaps Chan’s sisters and forces him to
compete in a grand prix race in Japan (!) in order to win his family back.
The story goes
that Jackie Chan injured his leg during the filming of “Rumble in the Bronx”,
and thus used doubles for most of his fights/stunts in this 1995 film from
director Gordon Chan (Jet Li’s “Fist of Legend”, Chan’s “The
Medallion”) and his co-writers Hing-Ka Chan and Wai Chung Kwok. I don’t
know if Jackie was contractually obligated to do this film already when he
sustained the injury, but if not, he shouldn’t have bothered. Not only is this
an entirely tedious, lousy excuse for an action film, but since the highlight of
Jackie’s films are the usually crazy stunts/fights, and he’s not actually doing
most of the work himself…the film is actually kinda worthless to be honest. The
fact that Jackie doesn’t dub his own voice in the English version of the film
(Even in scenes where he was clearly speaking English on set!), coupled with
the direct-to-DVD release outside of China only add to the sense that this film
wasn’t necessary, isn’t much good, and no one involved seems to care all that
much. Certainly the screenwriters didn’t seem to care enough to make their
ridiculous plot make much sense (Just read the plot synopsis again and try not
to roll your eyes at it. Why is the bad guy doing what he is doing? Who knows?!).
I really don’t
know what the thought process behind having Jackie Chan star in something like
this was. Sure, the film contains some martial arts, but the last twenty
minutes in particular is almost exclusively focussed on car racing. Although
pretty well-photographed (by the whopping six credited DOPs!) and attractive,
it’s completely unengaging and bloody ridiculously over-the-top. That’s mostly
because the tedium that precedes it ended up completely disengaging me from the
film. You certainly can’t get into the fights (which are just OK at best
anyway), you’ll be too busy noticing all of the close-ups that don’t show
Jackie’s face…because he’s not the one doing most of the work. You’re kept at a
frustrating distance, especially when you can see that the stunt double has a
different haircut. In one scene, Chan smashes a bunch of pachinko machines. For
some reason. Feel free to email me if you can work it out. For a guy who is a
martial artist by way of slapstick comedian, the setting and his injury really
do hamper Chan, rendering him useless in this film. He does sing the opening
song, though and it’s a truly fucking terrible 80s canto-pop attempt at a “Rocky”-esque
inspirational song ala ‘Eye of the Tiger’ or ‘You’re the Best Around’, but pop-ier.
Speaking of all things 80s, the whole film looks and plays like it came from
1985, not 1995. It’s bizarrely retro-looking, and not in a fun way. It looks
cheap and horribly dated. At least with “The Accidental Spy” (review
forthcoming…sometime…I promise!) you could blame a lot of the problems on a
re-cut version of the film that completely changed the storyline and tone.
Here, though, the fights aren’t the only problem so you can’t chalk everything
up to Chan’s injury.
The film is
nicely bloody at times, but mostly just bloody boring. Even car enthusiasts
will likely have a hard time staying awake in this one. It’s all played so
glumly and seriously, and Chan himself gives a boring, non-committed
performance throughout. In no way is he used to his best advantage here. It’s
no fun, and lethargically paced for added irony. If you skip one Jackie Chan
film, well skip three; “The Protector”, “City Hunter”, and this
silly tedium.
Rating: D+
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