Review: The Legend of Drunken Master
Jackie
Chan stars as Wong Fei-Hung, exponent of the title kung-fu style, forbidden by
his stern father (Ti Lung, less than ten years older than Chan!) because it
renders Chan a drunken embarrassment. His father is a doctor, who also runs his
own martial arts school, whilst Chan’s more supportive stepmother (Anita Mui)
runs a mah-jong racket out of the family home, unbeknownst to Ti Lung. However,
as much as his father disapproves of Chan’s fighting, let alone ‘drunk-style’
fighting, Chan will indeed need to rely on his fighting skills to take on a
smuggling ring (seemingly headed by a British Ambassador), after he mistakenly
picks up the wrong package on a train. Ken Lo (Chan’s real-life bodyguard)
plays the fearsome lead henchman, whilst Andy Lau has a cameo as a powerful
official who aids Chan and his father at one point.
I
continue to find Jackie Chan films frustrating, and this 1994 sort-of follow-up
to “Drunken Master” is a classic example. I just can’t quite get into
the story or even the action scenes when Chan is clearly a clown and acrobat,
not a fighter, actor, or storyteller. He’s quite clever at what he does, and I
know he’s beloved the world over, but I’ve always been a bit ‘meh’ about him. I
respect his love and admiration for Buster Keaton, but I’d rather watch the
real deal. Keaton was a genius. Chan is a clown, and not really the funny kind.
I didn’t find very much of the comedy particularly funny, as Chan’s facial
mugging shits me to no end (The only laugh comes when Chan can’t stop doing drunken
boxing against his own father who is trying to get him to stop. Cute). I have
to admit, though, that some of the action is really, really well-done. I’d hate
to have been a stunt person (or Chan) on this film. It looks fucking dangerous
at times. Did he really allow himself to be set on fire like that? I hope
there’s some movie trickery afoot there.
It’s
a pretty action-packed film…once you get past the deadly opening 30 minutes.
The title style of martial arts is ridiculous, silly comedy shit that just
drove me up the wall (The film is at least 90% comedy). However, the action
scenes that don’t involve the ‘drunken’ style of martial arts are fun to watch.
Chan’s speed and agility are amazing. As the chief adversary, Ken Lo is truly
bad arse, and the legendary Ti Lung is pretty good as Chan’s stern father. Even
better is Anita Mui as his feisty mother-in-law, though charismatic Cantopop
star/actor Andy Lau is thoroughly wasted in a mere cameo. I was bitterly
disappointed by that, as Lau is usually great value. Apparently the director
left after a while and took Andy Lau with him, whilst Chan himself directed the
rest of the film.
Probably
a tad below “Armour of God”, the film isn’t bad, but the broad and
overdone comedy simply detracts too much. Some of the action is good, but all
the clowning about gets seriously annoying very quickly. Yes, Chan’s stunts are
dangerous, but they are really only stunts, and adding a comedic element makes
you all-too aware of it. It robs the action (and therefore the film itself) of
any threat, urgency, or impact whatsoever, though the climax does feature some
pretty dangerous-looking stunts involving hot coals. Jackie Chan, you sir are
completely insane!
It’s
no “Thunderbolt”, and is certainly made more skilfully than some of
Chan’s films from the late 90s and early 00s, but that’s pretty much all. Fans
will probably love it (Many cite it among his best-ever), I’m middling on it,
and it’s a real disappointment coming from director Lau Kar-Leung, whose “Eight
Diagram Pole Fighter” is still one of the greatest-ever martial-arts films.
The screenplay is by Edward Tsang, Tong Man Ming, and Yeun Chieh Chi.
Rating:
C+
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