Review: Jurassic World
It’s
now 22 years after the events of “Jurassic Park”, and the island is now
home to Jurassic World, which is pretty much “Sea World” with dinosaurs.
However, regular ‘ol revived dinosaurs are apparently no longer ‘cool’ enough,
so rich dude Simon Masrani (Irrfan Khan) is set to unveil a new,
genetically-altered hybrid dinosaur called Indominus Rex, a mixture of
velociraptor and Tyrannosaurus Rex. Owen Grady (Chris Pratt) is called in to do
some last minutes checks to make sure the dino’s holding cell is secure enough.
Grady, who has been trying to train and tame his own pack of velociraptors
thinks the genetic hybrid is a big-arse menace waiting to happen. It doesn’t
take much of a wait for that big-arse menace to escape and run amok in the
park. Meanwhile, park COO Claire (Bryce Dallas Howard) is supposed to be
showing her young nephews around the park, but being a workaholic, she pushes
them onto employee Zara (Katie McGrath), who isn’t very good at her job.
Vincent D’Onofrio turns up as Grady’s employer, who has militaristic designs on
the raptors. Lauren Lapkus and Jake Johnson play a couple of park employees,
B.D. Wong returns as resident scientist Dr. Henry Wu, and Judy Greer appears
briefly as the boys’ worried mother back home.
I
thought the original “Jurassic Park” was the most disappointing movie I
had seen up to that point when I first saw it in cinemas in 1993. I was pretty
much ‘meh’ about it, to the confusion of most of the kids my age (12-13) at the
time. I still feel that way today, actually (“Titanic” isn’t far
behind), and this 2015 return to the franchise is pretty disappointing, too,
and doesn’t even have the virtue of featuring Jeff Goldblum’s sarcasm. Directed
by Colin Trevorrow, it’s especially disheartening that the director of the
wonderful sci-fi/romantic comedy “Safety Not Guaranteed” has offered up
what is essentially an unofficial remake/rip-off of “Jaws 3D”, or to
paraphrase what Bryce Dallas Howard’s character ironically states in her first
scene; ‘Same movie, bigger teeth’. It’s cynical crap, all Trevorrow and his
co-writers Derek Connolly (“Safety Not Guaranteed”), Rick Jaffa &
Amanda Silver (who teamed up for “Rise of the Planet of the Apes” and “Dawn
of the Planet of the Apes”) have done is given us Disneyworld instead of
Disneyland. Or more to the point, if the first film gave us essentially a
living museum, this one gives us a fucking amusement park/petting zoo.
All
of these movies are essentially big-budget B-movies, but the only one to get it
right (though I’m apparently in the minority) was “Jurassic Park III”,
the least pretentious of the lot. The first one had Spielberg forgetting what
made “Jaws” work (patience and suspense, for starters), the second was
more of the same only worse, and now this one’s basically “Jaws 3D”, but
trying to have its cake and eat it too because it never really comes down hard
on the idea of the park administration being wrong-headed. Park COO Bryce
Dallas Howard and billionaire backer Irrfan Khan aren’t portrayed as quite as
stubborn or foolish as Lou Gossett Jr. in “Jaws 3D”. In fact the ones
who come off worst are really neglectful bitchface employee/minder Zara (Katie
McGrath), “Jurassic Park” returnee Dr. Wu (B.D. Wong) and militaristic
Vic Hoskins (Vincent D’Onofrio). So while it’s undeniable that the film’s plot
echoes “Jaws 3D”, it seems half-hearted, as though the filmmaker still
wants us to see “Jurassic World” (the amusement park) as way totes cool
and not really question the morality of it. Scenes of kids playing with smaller
dinosaurs like some kind of fucking petting zoo almost made me vomit. I get
that not all dinosaurs eat meat, but c’mon, it’s borderline sick if you ask me
(seemingly without any irony from the filmmakers) and certainly stupid. In
fact, Trevorrow himself might be a mixture of Murray Hamilton from “Jaws”
and Lou Gossett Jr. now that I think of it.
Y’know,
if this were at least good B-movie material (like “Jurassic Park III”)
it could’ve been a lot of fun. Unfortunately, for the most part it’s as
super-serious as the first film, only with a dumb plot that simply can’t be taken seriously. This time out
we get genetically-altered super-dinosaurs hoping by Vincent D’Onofrio to be
used as super-soldiers. I’m sorry, fucking what?
That’s stupid times infinity and without tongue-in-cheek, eye-rollingly lame.
Yes, I just tried to make rollingly a word, and spellcheck can go fuck itself.
I mean, are regular revived dinosaurs not enough anymore? Think about that.
They’re revived dinosaurs for fuck’s sake, isn’t that awesome? Well, even the
original film lacked any really awe, so I suppose I shouldn’t be surprised, but
starting the film from a default position of ‘regular’ dinosaurs not being exciting
enough, is a mistake in my view. I get why they’ve done it, but it doesn’t work
for me.
There’s
only one set-piece in the entire film that in any way suggests the filmmakers
realise how absolutely, monumentally dumb this all is and decide to go all the
way too Dopey Town with it. ***** SPOILER WARNING ***** It’s the scene
where the horribly snooty, neglectful minder Zara gets an hilariously
protracted, thoroughly mean-spirited but entirely deserved death. It’s the best
scene in the film and the one scene where the dopiness of the material seems to
meet the intentions of all involved on the same plane of existence. Yes, it’s
probably too silly, but we’re already dealing with a guy who wants to turn
genetically altered dinosaurs into super-soldiers. At least this scene was fun,
albeit too damn late. ***** END SPOILER *****
The
performances and characters here for the most part, also didn’t grab me. Given
you’ve already got Vincent D’Onofrio and B.D. Wong ‘heeling’ it up, I think it
was a huge mistake to shuffle the naturally warm and appealing Judy Greer off
to cameo status, and put the cold, affected, and mannered Bryce Dallas Howard
(who really hasn’t impressed since being one of the least awful things about “The
Village”) forth as the female lead. True, part of my loathing here comes
from having heard the same damn line over and over and that smug look on her
face from the trailer. That’s part of it, sure. However, she’s as forced and
mannered as Greer is warm and natural. It seems a no-brainer to me, but perhaps
no one here wanted us to actually like the characters. ‘Coz, I mean that’d be
awful, wouldn’t it? But since the kids are dull, Howard is irritating, and star
Chris Pratt is merely OK doing standard Chris Pratt, it’s up to the charming
Irrfan Khan and hilarious Jake Johnson to make us care. Sadly, as much as Khan
looks to be having a whale of a time, and Johnson gets credit for pointing out
that genetically-altered dinosaurs really aren’t necessary, these two aren’t in
the film nearly enough to save it. There’s way too many characters floating
around for anyone to really resonate anyway. Khan in particular does try his
best though. D’Onofrio is a wildly hit and miss actor, and he misses here, I’m
afraid. No subtlety at all. “Orange is the New Black” alumni (former
alumni?) Lauren Lapkus is sadly underused, and who gives a shit about B.D. Wong
then or now? Not me, he’s graduated from a minor role of little importance to a
weak arse minor villain. That’s a lateral move at best.
2015
doesn’t bring us exponentially improved dinosaur FX like you’d expect. The
smaller dinosaurs in particular don’t look as though they’re really there
interacting with the scenery and the human characters. Of course, that’s
because they’re really not there, but by 2015, surely we’ve worked out how to
make it look a bit more seamless? (Then again, the 1993 film wasn’t all CGI,
some practical work was used. I’ve always preferred practical FX to be honest,
unless the CGI is truly top-notch or absolutely necessary). Velociraptors bored
the shit out of me in 1993, and still bore the shit out of me now, so I
probably wouldn’t have cared even if they did look great. The bigger the
dinosaur, the better they look here. I’m not sure why that’s the case, but it
is nonetheless, albeit only slightly (They still look too clearly
superimposed). Having said that, the big Raptor Rex hybrid to me doesn’t seem
worth the trouble. It’s not that much more of a menace than any of the other
dinosaurs, let alone those in previous films. It’s a silly addition where none
was needed. Having said that, we’re talking about a 110+ minute dinosaur movie,
and who the hell needs that?
There
are two things I liked about the film. Firstly, the greenery on show here is
lush and beautiful. It’s really stunning to look at when we’re given a chance
from cinematographer John Schwartzman (“The Rock”, “The Amazing
Spiderman”, “Saving Mr. Banks”). Meanwhile, composer Michael
Giacchino (“Super 8”, “Star Trek”, “Dawn of the Planet of the
Apes”) takes the frankly overrated John Williams theme and manages to outdo
him with this music score. It’s pretty terrific, actually. I’m sure many will
love hearing the familiar Williams theme early on, but I’ve got to admit I’ve
always found that forgettable. The rest of the score works, though, and there
even seems to be hints of Williams’ “Jaws” score from Giacchino at
times, if I’m not mistaken.
A
natural progression from the first film in all of the worst ways possible. The
scenery is lovely, but the FX are surprisingly uneven, the (too many)
characters cardboard, and the ideas and plotting super-lame and derivative.
It’s dumb. Really, really dumb. It’s “Jaws 3D” with dinosaurs, and
pretty boring too. No heart, no awe, no sense of wonderment. And where’s the
fun? Remember fun?
Rating:
C
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