Review: Everest
A
drama centring around a 1996 expedition to climb Mt. Everest, led by Kiwi and
expectant father Rob (Aussie actor Jason Clarke). Those on the climb include
rich Texan Beck (Josh Brolin), author Jon Krakauer (Michael Kelly), Japanese
climber Yasuko Namba (Naoko Mori) hoping to climb the last of the seven
summits, and meek postman Doug Hansen (John Hawkes), who failed on a previous
attempt and is absolutely determined to make it this time. Also hanging around
is super-chill American Scott Fischer (Jake Gyllenhaal) who is leading a rival
expedition. Emily Watson plays the maternal base camp co-coordinator alongside
Elizabeth Debicki, whilst Sam Worthington plays another Kiwi climbing expert on
the ground, and New Zealand-born Martin Henderson is one of the mountaineering
guides on the expedition. Keira Knightley and Robin Wright play the respective
spouses of Rob and Beck.
Look,
not every movie needs to reinvent the wheel. What’s wrong with an irresistible
story well-told? This 2015 film from director Baltasar Kormakur (“Contraband”,
“2 Guns”) might have its fair share of clichés, but being based on true
events it’s hard to really carp about that. Scripted by William Nicholson (“Gladiator”,
“Elizabeth: The Golden Age”) and Simon Beaufoy (“Slumdog Millionaire”,
“127 Hours”), this is a classic mountain climbing/disaster movie done
really damn solidly. Reviews have been lukewarm, but I actually found myself
quite moved by it, and on more than one occasion. It’s called persuasiveness.
The
cast of A- (or B+ if you want to be more churlish than I) actors from all
across the globe is rock-solid, but more in the sense of an ensemble doing fine
character work rather than there being too many individual standouts or showy
theatrics. I was probably most moved by John Hawkes’ touching character, and
felt Robin Wright and our own Sam Worthington were completely underused, but
other than that, everyone was pretty much on an even keel of solidity here. In
fact, the thing that impressed me most about the film from an acting standpoint
was the Kiwi accents by Brit actresses Keira Knightley (who does a commendable
job of it), and especially a flawless one from Emily Watson (It might be a bit
thick and broad for some, but it’s definitely a Kiwi accent, that’s for sure).
Given how difficult Aussie accents seem to be for non-Aussies to perfect let
alone Kiwi accents, I was genuinely and pleasantly surprised with Watson’s
effort in particular. Seemingly ubiquitous Aussie actress Elizabeth Debicki
would also be hard to pick as a non-Kiwi too, if you were unfamiliar with her I
would think. Less so Worthington and fellow Aussie actor Jason Clarke, who
don’t even bother to change their natural Aussie accents one bit (in
Worthington’s case, this is a good decision. Accents definitely aren’t his
thing).
The
scenery is predictably amazing, and I can imagine the biggest screen possible
would be the optimal choice for seeing this. However, the story itself is still
so irresistible that it will work no matter what screen you’re watching it on.
Sure, it’s a little on the slow side, but you don’t mind that so much because
you’re in good company, even if there’s perhaps not enough time to really get
to know everyone here. Although Jason Clarke is sturdy in what is essentially
the lead role and everyone as I said earlier is rock-solid, Josh Brolin, John
Hawkes, Emily Watson, and Jake Gyllenhaal are probably afforded the most
opportunity to make an impression. I was surprised that some people felt they
couldn’t relate to the characters here. I personally loathed “Into the Wild”
(whose author, Jon Krakauer, is a character here, and he really, really hates
this movie apparently…possibly because his own book was not among the sources
used) because I felt like it was a movie about a reckless idiot who pretty much
deserved his fate for being arrogant and careless. This situation is different.
I may not understand the desire to do something so potentially dangerous as
mountain climbing, but professionals are involved, and although mistakes get
made, it’s not out of arrogance or really carelessness. I actually felt like
the film was a great example of just how important likeable characters can be
for a movie. I cared, especially about John Hawkes’ postman Doug, who had me
close to tears, I won’t deny. They’re a pretty nice bunch of people, and like
the fellow trekkers in the Reese Witherspoon movie “Wild”, they have
kind of a community spirit to them, they’re supportive of one another.
The
film becomes really quite harrowing in its second half, showing that going up
is far less complicated sometimes than going down. Perhaps not a Top 10
contender, but nonetheless a really solid, sometimes harrowing and affecting
film. A classic story well-told. You can’t ask for much more than that.
Rating:
B-
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