Review: Lincoln
The
story of how American President Abraham Lincoln (Daniel Day-Lewis) fought to abolish
slavery and also see an end to the Civil War. Tommy Lee Jones plays congressman
and abolitionist Thaddeus Stevens, a more radical Republican than Lincoln, who
is nonetheless needed to help the 13th Amendment pass. Sally Field
plays Lincoln’s loving but emotionally unbalanced wife Mary Todd, who worries
that their eldest son Robert (Joseph Gordon-Levitt) might fight and die in the
war. David Strathairn plays Lincoln’s faithful Secretary of State William
Seward, whilst Hal Holbrook plays Republican founder Preston Blair who supports
Lincoln but is wary of radicals like Stevens (Notably he was also a former
slave-owner who came to support the 13th Amendment). James Spader
and John Hawkes turn up as a couple of Republican lobbyists, while Jared Harris
turns up briefly as Ulysses S. Grant.
Although
far from his best film, this 2012 biopic benefits from the solid filmmaking of
Steven Spielberg (“Jaws”, “Raiders of the Lost Ark”, “ET: The
Extra Terrestrial”, “Schindler’s List”, “War of the Worlds”, “Minority
Report”) , but also the superb, Oscar-winning performance by Daniel
Day-Lewis in the lead. Scripted by Tony Kushner (The lesser Spielberg flick “Munich”),
I think it’s a shame that it only focuses on a singular aspect of Lincoln’s
life and political career, to be honest. It’s about Lincoln freeing the slaves
and attempting to end the war. It’s a solid and interesting film that isn’t
quite as emotionally affecting or resonant as I was expecting or hoping, and I
think that narrow focus really is the reason. While Daniel Day-Lewis’
performance is the film’s major highlight, I actually think it deserved a
better vehicle. Day-Lewis plays him as thin, advancing in age, but
authoritative if a quiet, yet eloquent way (eloquent for the period at least).
He plays him as a man who appears to have a bit of the ‘common touch’, as well.
Day-Lewis is excellent. He could very well be the best actor alive today. If he
were more active, the matter might be even much clearer. He looks right as
Lincoln, and especially in scenes where he’s shot in slight shadow, the
resemblance appears to be uncanny. He’s certainly the best Abraham Lincoln in
cinema to date. Abraham Lincoln has been built up over time to be larger than
life and iconically deep-voiced. Day-Lewis and Spielberg set the record
straight on the latter, and also humanise the ‘great man’. That’s why I kind of
wish it was more of a traditional biopic, so that it would focus more on the
man. Kushner’s screenplay seems more concerned with politics. The good thing
about that though, is that I enjoy all of the politicking and speechifyin’.
Some might find it a bit dry, but to me it was all interesting, as Lincoln for
all his innate decency as a man (and we do
get some sense of that), was ultimately a shrewd politician. So in terms of
making a potentially dry subject rather interesting, I think Spielberg and
Kushner succeed.
Although
this is quite clearly Day-Lewis’ film, the supporting cast is excellent. Sally
Field seems too old to play Lincoln’s wife Mary Todd, but if you can get past
that, she plays slightly unstable and unfiltered very well. She has a great
scene where she tells Tommy Lee Jones’ Thaddeus Stevens exactly what she thinks
of him. The woman apparently had no filter. As for Jones (who looks a little
bit like the real Stevens), he’s excellent as the most strident opposition
Lincoln faces in his own political party, though he reluctantly comes to
agreement with him on this one issue. I was particularly fond of Hal Holbrook
as an old Republican stalwart, whilst a disturbingly portly James Spader and
the ubiquitous John Hawkes have a lot of fun in what is otherwise a fairly
serious film. David Strathairn gets a somewhat thankless role, but it’s the
actor’s lot in life to be playing rather boring, humourless people and he
excels at it. A fiercely bearded Bruce McGill makes a memorable impression with
minimal screen time too, and Walton Goggins has a very funny small role as a
nervous politician. I think Gloria Reuben’s character is far too
passive/observatory to really help the actress, so that’s a minor blemish on
the film. The film looks good, and it’s to the credit of Spielberg and Janusz
Kaminski (“Schindler’s List”, “Saving Private Ryan”) that a film
dominated by black, blue, and brown hues and mostly dark lighting is not drab.
At times it’s truly stunning.
A
good, but not great film with an absolutely great central performance by an
Oscar-winning Daniel Day-Lewis, who humanises a titanic figure of American
politics. He’s backed up by an excellent cast, and if the scope of the script
isn’t quite as large as I’d like, it’s certainly an interesting topic and the
film is also funnier than I expected. I do hold Spielberg to a particularly
high standard though, and this one’s not in the upper echelon.
Rating:
B-
Comments
Post a Comment