Review: Becoming Bond
I was really looking forward to
this 2017 film from Josh Greenbaum, as the story of how an Aussie model/car
salesman became James Bond (in 1969 after Sean Connery hung up his tux
temporarily), didn’t cope well with the fame, and decided to not sign on for
more films, is a potentially very worthy one indeed. It’s a shame then, that
this dubious enterprise…isn’t about ‘Becoming Bond’ for 95% of its length. Even
though I’d heard George Lazenby tell the basic story before, I was still hoping
this would be the story of how that happened and maybe a little about what happened
to him afterwards. Instead, the Bond thing only comes into the film with about
10-15 minutes to go, and even then they rush through it! That’s the film, you
idiot! That’s the story everyone will come into this wanting to see! So what do
Greenbaum and Lazenby give us instead? One of the worst and most unconvincing
documentaries ever made. This shit’s got even less credibility than Louis
Theroux’s infantile, passive-aggressive temper tantrum “My Scientology
Movie” from the previous year (The funny thing? That was 2016’s worst film.
This film is a few places further up on 2017’s worst so far).
The film isn’t a traditional
documentary, as there’s re-enactments with Aussie comedian/actor Josh Lawson
(surely talented enough to not be resorting to shit like this) playing Lazenby
almost as embarrassingly unconvincingly as he did in a recent Paul Hogan TV
biopic. It’s obvious that without these re-enactments (featuring a few
obviously non-Australians putting on woeful Mick Dundee accents as well) the
film would be half as long, and worthless as a feature-length doco. With them
it’s twice and long and just as worthless, and Lawson is woefully miscast. What
doesn’t help matters is the tone, which in the re-enactments is buffoonishly
comedic, and combined with Lazenby’s frankly dubious ‘tall tales’
yarn-spinning, it leaves you questioning if Mr. Lazenby isn’t just a total
bullshit artist. I mean, he brought a bagful of bats to school as a kid? Shut
up. It fits the whole larrikin thing, but it’s surely made up. 30 minutes in
and Lazenby’s still spinning his yarn about being an “Alvin Purple”-esque
skirt-chaser. It’s not interesting, and it’s definitely not convincing. After
46 minutes Greenbaum finally calls Lazenby out on his bullshit, but then
accepts a lame ‘If I can remember it, how can it not be true?’ rationale. What
horseshit, and shame on Greenbaum for going along with what frankly wouldn’t
even cut it as a DVD extra.
How in the hell did this manage to
get made and released? Honestly, all George seemed to do before he became Bond
was shag chicks, pull pranks at school, and take LSD. Wow, that’s fascinating
stuff right there, and that’s with George’s likely embellishments accounted
for. One of those embellishments is a flat-out lie that can be proven to some
degree: On the DVD extras for “On Her Majesty’s Secret Service” (which,
if it had starred Sean Connery and trimmed 10 minutes or so, would be
unquestionably the best Bond movie of all-time), Lazenby recounts the tale of
how he managed to get a hold of one of Sean Connery’s 007 suits for his
audition. Here he asserts that he actually stole
one. I’m 99.99% certain that’s not what he says on the DVD extra (He said he
bought it from Connery’s tailor after Connery failed to pick it up), so either
he was a bullshitter there or a bullshitter now. Either way, he’s a bullshitter
(Bear in mind the amount of bullshitting he actually talks about doing during the course of the doco, so
he’s definitely capable of lying to the audience) and this is a terrible film.
By the time he starts to show some reflection on any possible mistakes he may
have made personally and professionally, I wasn’t buying it because he has come
across here as unreliable, and the film itself so irreverent that a serious
moment like that seems disingenuous and unconvincing. As for the Jane Seymour
cameo (as a casting agent who helps Lazenby land the gig of 007), it’s not
funny, and she wasn’t even in the same Bond movie George was in, so why the
hell is she here? I also think the snooty, humourless depiction of “OHMSS”
director Peter Hunt is completely unfair and unfunny. Meanwhile, at one point,
Lazenby is called arrogant. The problem is that in this Lazenby-approved
version of his story, neither Mr. Lazenby nor Mr. Lawson portray Lazenby as
arrogant, because that’d make ‘ol George look bad.
A complete cock-up of a film, with
a comical tone and unreliable narrator torpedoing the whole thing. Meanwhile,
the only reason you’re watching the damn film in the first place is in the last
15 minutes. The rest is a mixture of tedium and bullshit, with absolutely no
attention paid to the numerous roles Lazenby played post-Bond (Including his
best work as the villain in the Aussie/HK Kung-Fu cult classic “The Man From
Hong Kong”). The film apparently wants us to think there was no acting
roles after 1969, which simply isn’t true (He made 50+ other films afterwards).
One of the year’s worst, this is a flimsy, insincere excuse for a documentary.
Becoming Bond? No, this is Becoming the Bloke Who Eventually Becomes Bond.
Perhaps not all actors’ tales are interesting enough to be told on film, or
perhaps this is just awfully told. The approach taken makes it somewhat hard to
tell which, all I know is I felt insulted by the film.
Rating: D-
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