Review: Winter Passing
Zooey Deschanel is a NY
bartender/actress living a life of sex, drugs, and probable self-loathing,
until approached by book editor Amy Madigan with a request. She wants Deschanel
to hand her a bunch of love letters written by her dead mother and father (the
latter played by rather convincingly by Ed Harris), famed authors. This is a
sore spot for Deschanel as mom recently killed herself and she’s estranged from
Harris, but the money on offer is too good for her to refuse. So she heads home
to find her father physically frail and a mentally unstable recluse, and he has
acquired two boarders; The first is painfully meek and possibly
intellectually-handicapped wannabe musician Will Ferrell, who is fiercely
protective of Harris’ home (and who used to be in a Christian rock band,
apparently). Secondly there is Amelia Warner, a former student and admirer of
Harris’ who has now taken the position of nursemaid. Cynical, embittered
Deschanel is initially ambivalent towards the weird but harmless Ferrell, but
instantly accusatory towards the pretty, sweet-natured Warner, whom she accuses
of sleeping with her father.
If it weren’t for the
paint-by-numbers story (troubled daughter visits estranged father- an unstable
but brilliant writer living with two eccentrics, old wounds are brought up
etc), this 2006 debut cinematic endeavour for playwright Adam Rapp would’ve
been a winner. The cast is certainly tops, with Warner and particularly Ferrell
(in a serio-comic role) surprisingly affecting, but the story simply isn’t
original, and the lead character isn’t all that fun to be around, through no
fault of Deschanel. The character is sarcastic, bitter, snorts coke, has
reckless and aimless sex, and she occasionally self-mutilates. Sorry, but that
just doesn’t interest me for a protagonist, I’m afraid.
Scripted by the director from his
own two-act play, I’m sure some people will love it (it could be a cult item),
but I’m just not one of them. I’d call it a slight failure, but an interesting
one at least. There are some appealing qualities here, but with an unappealing
lead character and a pretty clichéd story, my engagement here was somewhat
limited and intermittent.
Rating: C+
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