Review: 47 Metres Down
Claire Holt takes her sister Mandy
Moore to Mexico to get over a breakup with her ex, who accused her of being
boring. Well, they’re certainly not in for a boring trip. Skippered by old sea
dog Matthew Modine, the sisters go out on a boat on the water, get into scuba
gear, and lowered down in a cage to have some personal time with the sharks. At
first it’s a fun bit of adrenaline rushing…and then something snaps and the
cage plummets to the ocean floor. It’s going to get dark soon, communication
with Modine is fuzzy, and there’s limited oxygen. Fun times.
Another day, another shark movie
and sadly this 2017 flick from director Johannes Roberts (the weak “Storage
24”, the interesting “The Other Side of the Door”) and co-writer
Ernest Riera (“The Other Side of the Door”) is a long way from “Jaws”.
In fact, it’s quite similar to “Open Water”, only set underwater…and
nowhere near as effective. It’s not very original, and it takes far too long to
get to the nitty gritty. 25 minutes is far too long to be waiting for the fit
to hit the shan, I believe.
In addition to being the two most
vanilla young women on the planet (their basic dynamic is clichéd beyond
belief), the two main characters here are absolute twits. Why do people even do
this shark diving thing? It’s not a necessity of life, and weighing that
against the danger of it all, I just don’t get the point. Watch a frigging
nature documentary instead. So it’s hard for me to relate. And yet, given the
very real, very relatable fear of sharks most of us have, I really should have found something relatable in
this. Mandy Moore’s performance in particular is occasionally pretty effective
in this regard once the film really gets going. You feel her fear and panic.
Sadly, that was not soon enough or often enough to make the film effective for
me. The scenery captured by Mark Silk (thus far mostly experienced in an
underwater camera operator capacity) is occasionally stunning and Matthew
Modine has a good small role as an easy-going, unshaven shark dive guy. The rest?
A very mixed bag and nothing new.
The scary stuff works, but because
most everything else doesn’t, it deprives even the scary stuff of being better.
Ultimately a somewhat watchable, but not terribly interesting or effective
thriller. Wonderfully shot, though and Mandy Moore is believably terrified.
Rating: C+
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