Review: Watership Down
A rabbit named Fiver (voiced by Richard Briers) is
convinced of impending doom, but the Chief Rabbit (voiced by Sir Ralph
Richardson) ignores his premonition-based fears. Fiver will not let the matter
rest, and he and his brother Hazel (voiced by John Hurt) lead a group of
rabbits in leaving to find a new warren. Eventually they come across an
horrific warren run by a totalitarian general rabbit named Woundwort (voiced by
Harry Andrews). Roy Kinnear voices the rather nervous Pipkin, whilst Denholm
Elliott voices the peculiar and suspicious Cowslip, whose warren the
protagonists happen upon along the way.
Many people of my generation were terrified by “Return
to Oz” (The first film I ever saw theatrically, I still have trouble with
it even now as a perfectly well-adjusted adult). For a generation or so before
me, it appears to have been this 1978 animated adaptation of the Richard Adams
novel by filmmaker Martin Rosen (“The Plague Dogs”) which left children
screaming from the cinema. In recent years, the film has amassed a favourable
critical and cult following, who understand that like Orwell’s “Animal Farm”,
this story of anthropomorphised animals was never intended for children. I’m
familiar with “Animal Farm” (both in literary and cinematic form), and
can safely say that this ain’t no “Animal Farm”. This is a ghastly
nightmare of a film that repulsed my at age 40 and probably would’ve given me
nightmares had I seen it as a kid. Even if one were to put aside the horrific
nature of this story, it’s also a completely drab, dull, and wholly
uninteresting story being told. Many disagree and that’s fine, I’m not here to
convert anyone. For me, I felt this one was a monotonous, dreary slog. Very
little of it went plenty far enough for me thank you very much. The animation
is nice, the rest is a hard pass.
A great cast of mostly British character actors have
seemingly all the personality from the voices removed to the point where not
only do the bunnies all look the damn same, they sound the damn same, too. How
in the hell does the inimitable Roy Kinnear get lost in the shuffle of any
film? John Hurt isn’t bad, and Denholm Elliott and Harry Andrews score quite
alright with rather sinister parts (though they’re part of the problem because
Andrews’ character in particular contributes much of the more horrific moments.
Still, a good vocal performance is a good vocal performance). The rest are all
a bit samey, save for an idiot calypso seagull, in whose company we spend way,
way too much time. What’s the point in hiring a great voice cast if they’re not
going to be given distinct characters to work with?
With a wholly inappropriate PG rating, this is an
ugly, depressing story that some might get interest out of. I’m not among you,
and couldn’t for the life of me understand why anyone would want to watch an
animated film on this sort of subject with this sort of tone. It’s not that
it’s aimed at adults – I like the very naughty “Fritz the Cat” just fine
– this is just that it’s boring, ghastly, and depressing in the extreme. I get
the feeling that this would be a little easier to take in novel form, but I
would still likely take a hard pass on it. A total horror show as a film, at
any rate. I understood what the film was about thematically, I simply question
whether it was really worth it to do it this way, and how large a target market
it has as an animated film. It does have a large cult following though, so perhaps
it’s a moot point. Lovely water-colour animation style going to waste.
Rating: D
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