Review: Green for Danger
Set at a small country hospital during WWII, a local
postman dies on the operating table under mysterious circumstances. Doctor
Trevor Howard seems to be the prime suspect, having had another patient die
under similar circumstances. Meanwhile, smug womanising doctor Leo Genn gets
caught kissing nurse Sally Gray by another jealous nurse who claims the
postman’s death was actually murder. Then the accusing nurse herself winds up
dead. Enter Scotland Yard Inspector Alastair Sim, set to get to the bottom of
things, albeit like a bull in a china shop. Megs Jenkins plays one of the other
nurses.
Although the guilty party tries just a tad too much to
be noticed, this 1946 mystery-thriller from director Sidney Gilliat (screenwriter
of Hitchcock’s classic “The Lady Vanishes”) and co-writer Claud Gurney (his
second and final screen credit, having died the same year at just 49 years of
age) is an enjoyable experience. I actually rather preferred the early moments
that merely focussed on the day-to-day running of this hospital during WWII. It
must’ve been incredibly difficult to perform important medical procedures with
planes crashing and bombs going off all around.
Leo Genn makes for an amusingly smug, self-satisfied
smoothie and I should probably stop thinking of him as the poor man’s James
Mason, because he seems to give a solid performance in just about everything.
Meanwhile, Alastair Sim reins in his colourful performance just enough
that it’s never jarringly comedic, so much as eccentric and a bit ‘busy’. It’s
an unmistakably Sim character and performance, but there’s also a little bit of
Agatha Christie eccentric detective in there too I think. A young-ish Trevor
Howard is perfectly fine as a doctor with a somewhat blemished record. Megs
Jenkins is good colourful support too, and the B&W cinematography by DOP
Wilkie Cooper (Hitchcock’s “Stage Fright”) is terrific.
An interesting and entertaining WWII murder-mystery
with solid performances from most of the cast. Alastair Sim might chew the
scenery a bit too much for some, I think he merely adds welcome flavour to
something that could’ve been rather dry. Leo Genn takes top acting honours,
however.
Rating: B-
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