Review: Blind Rage
Manilla bank owner Charlie Davao (A Filipino actor who looks like a cross between
Yul Brynner and Henry Silva) gets involved in a bank robbery where a $15
million CIA secret slush fund has just been transferred. The kicker? The
robbery will be carried out by a group of blind martial artists! (Leo Fong,
D’Urville Martin, and Filipino star Tony Ferrer among them). Fred Williamson
turns up (very) late as lawman Jesse Crowder.
A movie about blind martial artists robbing a bank was
either going to be hilariously awful or good, schlocky fun. I couldn’t see any
other option. Well, surprise, this 1978 cheapie from Filipino director Efren C. Pinon (“Last Target” with
Ferrer and Davao) is somehow completely forgettable. Scripted by Jerry O.
Tirazona (“Last Target”) and co-star Leo Fong (a veteran low-budget
writer/director/producer/actor), I took an instant dislike to the way the whole
thing was set up. If these blind guys need instructors to help/train them so
much, is the heist really a good idea then? It would’ve been better if the
blind guys came up with the idea of the heist themselves instead of being
recruited and somehow hoping that their blindness gives them other heightened
senses handy for criminal purposes. Or better yet, just hire people who can see
and have them pretend to be blind. Surely that wouldn’t be hard.
However, the real problem here is that the premise is
truly gloriously stupid and no one involved in the film seems to embrace
it. The closest we get is one absolutely hilariously bad line of dialogue:
‘Let’s begin by synchronising your braille watches’. If that’s not a line
worthy of Edward D. Wood Jr., I don’t know what is. Sadly, the rest of the film
doesn’t play on that marvellously stupid level. What we have instead is a
cheap, mediocre drive-in pic with some OK martial arts, lots of different
locations, and a wacky premise. I really think tongue-in-cheek was the way to
go here, playing to the martial arts crowd just wasn’t the best idea, despite
the action being the best thing here.
Although I felt the blind people were being guided a
bit too much, the planning/practice stage of the heist was rather
interesting to watch. In fact, when in action/heist mode it’s diverting stuff
mostly because the blindness of the characters is something a little different.
The film moves rather quickly and is mercifully short, those are the real
plusses I think. Credit where it’s due, the makers found a pretty unique way to
wipe out a whole bunch of the characters in one go, too. Pretty important
characters at that, which is quite an unexpected shock (even if it leaves the
finale lacking a bit of excitement). Less enjoyable was taking the normally
ebullient and funny D’Urville Martin and casting him as the resident sleazy sex
pest of the blind men. His one attempted rape scene is completely jarring and
unnecessary. It’s a shame because he’s the closest thing the film has to a
legit actor on show here. The bit players are especially bad, acting like it’s
their first film and they’re being blackmailed into doing it. Meanwhile, 69
minutes into a less than 90 minute film and Fred Williamson finally walks off
one film set and onto this one. Literally, it’s a glorified walk-on playing his
Jessie Crowder character that he used in several cheapo action films. It’s a
ludicrously late arrival and the frequent on-screen sleepwalker gives his
laziest-ever performance. Also ludicrous, dude doesn’t even stop chomping his
cigar while he’s chasing someone on foot!
I suppose for its aims and its target audience it’s
not a bad film per se, but it’d be a much more fun film if it
actually were bad. Instead the filmmakers take things too seriously and
simply don’t have the ability (it’s shoddy-looking stuff) nor funds to pull
that off. The result is surprisingly nondescript despite the wacky premise, and
absolutely useless to anyone who doesn’t enjoy second-rate martial arts/action
pics. Some of the action/heist stuff is fun, but there’s not enough of it to
help lift the film above mediocrity.
Rating: C
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