Review: Just Mercy
In 1987, an African-American man named Walter McMillan
(Jamie Foxx) got arrested, charged, tried, and convicted of the murder of an 18
year-old white girl. He’s been on Death Row for several years when novice
lawyer Bryan Stevenson (Michael B. Jordan) offers to represent him and try to
get a new trial. Stevenson acquires the aid of an anti-Capital Punishment
activist named Eva Ansley (Brie Larson) and they go to work on what seems to
have been a truly wrongful conviction involving corruption, prejudice, and
incompetence from several levels of the so-called justice system. A mannered
Tim Blake Nelson plays an inmate and important part of the case.
I was looking forward to this 2019 courtroom/true
crime flick from director Destin Daniel Cretton and co-writer & Andrew
Lanham (Cretton’s “The Last Castle” with Woody Harrelson and Brie
Larson). I really liked Cretton’s “Short Term 12” (also with Brie
Larson), and I love both courtroom movies and true crime stories. I will say
though, that wrongful convictions don’t happen quite as often as
podcasters and social justice groups seem to think (Let’s just say I think the
right person was convicted for the murder of Hae Min Lee, to give one infamous example).
It sure as shit does happen though, the justice system in America seems deeply
flawed. It makes you incredibly angry to see it sometimes being the antithesis
of what it’s supposed to be: the justice system. Cretton’s film does a
good job early on of showing that there’s a lot of these death row cases with
African-American inmates, likely a number of them railroaded by a corrupt
and/or lazy judicial system. Based on the book by the real-life Bryan
Stevenson, the difference to the story told in this film is that both the
inmate and his lawyer are African-American, and therefore both men face a lot
of the same prejudice. Unfortunately, despite almost universally fine
performances there wasn’t enough difference to keep me interested in this
pedestrian, utterly predictable film. It’s like I always say, unless it’s a
documentary, just because a story is true that does not mean it is a story that
needs to be told in cinematic terms.
Michael B. Jordan is the best thing here, immediately
sympathetic and aside from being a touch old, well-cast. He’s terrific. Jamie
Foxx shows himself to be a damn fine character actor here playing an
incarcerated man seemingly a heck of a lot easier to sympathise with than
‘Tookie’ Williams from “Redemption” was. Oscar-winner Brie Larson is
perfectly fine casting too, if completely underused. I just plain like her on
screen, here she reminds me of a mixture of Jane Fonda and a young-ish Sally
Field (circa “Norma Rae”). The problem is one of lack of screen time and
lack of character depth. To be honest, it’s lacking with all of the characters
here though. Combined with the familiarity, it just didn’t draw me into the
story. I also wasn’t impressed by the overly busy, unconvincing scenery-chewing
of a twitchy Tim Blake Nelson as a shifty inmate. It seemed more of an acting
exercise than a characterisation and was a bit hard to take in a film that
otherwise seemed fairly believable if nothing else.
All the good acting in the world couldn’t make me care
about this overly familiar, dramatically inert true crime courtroom drama. It
should’ve made me angry and outraged in the way that many true crime
documentaries do for instance. Instead I was mostly clock-watching. Obviously
well-intentioned, well made in some respects, but been there and done that time
and time again. The predictable story is unworthy of the three solid central
performances. It could’ve been a midday TV-movie (or better, a documentary
whereby the issues of familiarity and cliché won’t be a negative). What a
letdown!
Rating: C
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