Review: Unhinged
Caren Pistorius got up a little late this morning and
is now rushing to drive son Gabriel Bateman to school before heading in for
work herself. Meanwhile, a disturbed man (played by Russell Crowe) has just
murdered his ex and her new lover and set the house on fire. These two
characters will intersect – literally – and get into an argument. She says he
failed to move when the lights turned green, he thinks she’s rude for honking
her horn at him. This is only the beginning of a very bad day for Pistorius,
who now becomes the target of Crowe’s rabid fury. Jimmi Simpson appears briefly
as a sympathetic associate of Pistorius who is also unfortunate enough to have an
encounter with Crowe.
Russell Crowe enters his slumming exploitation movie
phase with this 2020 film from director Derrick Borte (“The Joneses”)
and screenwriter Carl Ellsworth (“Red Eye”, “Disturbia”, the remake
of “Last House on the Left”). Absolute garbage, it’s the biggest mistake
Crowe has made since the idiotic “Demolition Man” rip-off “Virtuosity”
back in 1995.
Basically the film plays like “Falling Down”
(which I also loathed) if it came from The Cannon Group, the 80s schlock
merchants of nearly every latter day Charles Bronson exploitation effort you’ve
seen. Or a really, really unsubtle version of “Changing Lanes” where one
of the two leads is clearly in the wrong. Caren Pistorius is a fairly
sympathetic and likeable protagonist, and the action is dumb but at least
well-staged. Some of the photography looks nice, too. Otherwise, this is an
unendingly mean-spirited piece of shit. I despised it.
Crowe gives the worst performance of his career,
starting off at 11 and ending up more rabid than “Cujo”. What on Earth
was he thinking here? It’s a bad film, but Crowe is even worse. He’s frankly
embarrassing. I won’t give him 100% of the blame though, the pathetic
screenplay has him committing multiple murder and arson in the opening scene.
It’s before the opening credits are even finished, for crying out loud. Where
can you possibly go from there? I know I’m the guy who says Jack Torrance being
somewhat disturbed at the beginning of “The Shining” leant more
credibility to his eventual descent into homicidal madness, but I don’t believe
Jack Nicholson pitched his performance at 11 from the get-go like Crowe does
here.
If the film had at least adopted a black sense of
humour I might’ve found it slightly less unbearable, but as is it’s worthless.
Derivative, ugly junk. It’s not even the fun kind of trash. It’s the pits, a
completely unnecessary career move by Crowe. He looks bloated, bleary-eyed and
miserable in the worst performance he’s ever given. “The Hitcher” it’s
not. I hope Caren Pistorius is able to move on to bigger and better things after
this.
Rating: D-
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