Review: Without a Clue
Dr. Watson (Sir Ben Kingsley) has always been the real
master of deduction, writing of his real-life crime-solving exploits but
attributing them to fictional master sleuth Sherlock Holmes, so as to not get
in the way with his image as a medical professional. To help with the ruse,
Watson hires an idiot fourth-rate stage ham named Reginald Kincaid (an
hilariously preening, pompous Sir Michael Caine) to play the ‘part’ of Sherlock
Holmes. Kincaid as Holmes is required to spout off a few written and fed lines
Watson has prepared for him, whilst he goes about the real crime-solving. Eventually
Watson and Kincaid have one falling out too many, and go their separate ways.
Unfortunately, no one seems to want Dr. Watson solving their crimes,
authorities refusing to collaborate with him on anything. So when some printing
plates go missing, Watson is forced to retrieve Kincaid from the pub and join
forces yet again. Lysette Anthony plays the beautiful daughter of a missing
man, Paul Freeman turns up as the dastardly Moriarty, Peter Cook is an editor,
and Nigel Davenport appears as Lord Smithwick of The Treasury.
It’s a shame this 1988 Sherlock Holmes comedy from
director Thom Eberhardt (the infamous flop “Captain Ron”) failed with
audiences and most critics. I know Sir Michael Caine and Sir Ben Kingsley had
their fair share of flops in the 80s, but here’s one that didn’t deserve that
fate. Looking back from a 2021 perspective, this is actually a clever and
entertaining film. As scripted by Gary Murphy (a veteran writer/EP for TV shows
from “Night Court” to “Malcolm in the Middle”) and Larry
Strawther (ditto), it comes equipped with a clever conceit: Holmes is an idiot
(and an actor), while Dr. Watson is the true detective genius. Sir Michael
Caine probably wouldn’t register as most people’s best casting for the
legendary fictional sleuth, but that’s OK because he’s not playing Arthur Conan
Doyle’s fictional detective. He’s really playing an actor pretending to
be Holmes, who isn’t actually real even in this film’s universe anyway. Holmes
was a figment of Watson’s imagination based on the deductive reasoning genius
of Watson himself. Caine being cast as a preening idiot who enjoys the
limelight and fanfare? Now that’s perfect casting. ‘I see…and observe’, this
guy’s an absolute pompous fool. Kingsley probably could play a straight
version of Dr. Watson, but is clearly having fun playing this film’s comedic
Watson who is the true hero of the piece. It becomes evident pretty early on
that while Holmes is an idiot who needs lines fed to him, Watson needs Holmes
because he himself simply lacks the charisma, authority and panache to be taken
seriously. They need each other, despite spending most of the running time
bickering with one another.
As for the rest of the cast, Lysette Anthony is lovely
and gets a bit of a break from appearing in Bryan Adams music videos.
Predictability is the only issue with her and the character she plays. If
you’ve seen a Sherlock Holmes film before – practically any of them – you’ll be
ahead of the game there. As dopey Inspector Lestrade of Scotland Yard, Jeffrey
Jones is probably the weak link of the cast. Struggling with an English accent,
the actor somehow ate an entire house between 1986’s “Ferris Bueller’s Day
Off” and this film two years later. What the hell? It’s not his finest
showing to say the last. I also wish Nigel Davenport, Peter Cook (in
practically a walk-on) and a terrific Paul Freeman were given more to do.
Freeman in particular is perfect as fiendish arch-nemesis Moriarty, with a
positively Mephistophelean visage to him.
Handsomely mounted, a clever premise, and an
absolutely hilarious Sir Michael Caine playing a preening idiot of the highest
order. This is a likeable and enjoyable comedic inversion of the Holmesian
world. I think this one deserves a bit of a re-appraisal, it’s jolly good fun
and looks like it was similarly enjoyable to make.
Rating: B-
Comments
Post a Comment