Review: The Turning
Mackenzie Davis accepts a position as a governess for
young orphan Brooklynn Prince at the large family estate. Soon Prince’s
troubled older brother Finn Wolfhard turns up having been expelled from
boarding school. Wolfhard quickly unsettles his new governess with creepy and insolent
antics, though long-serving family housekeeper Barbara Marten stands up for the
boy. She seems intent on ruling the roost even while Davis is around. Then
Davis starts having unsettling experiences of the more ghostly kind. Could the
house be haunted? Joely Richardson has a small role as Davis’ mentally unstable
mother.
Gothic, ghostly tales tend to be my kind of horror
outing, and this adaptation of Henry James’ classic The Turn of the Screw
from 2020 is in the tradition of “The Others” and more closely the
classic 1961 Deborah Kerr film “The Innocents” (the best adaptation of
James’ tale to date). I’m surprised that it doesn’t get much love online,
because director Floria Sigismondi (a veteran of music videos) and adapters
Chad and Carey W. Hayes (scribes of “The Conjuring” films) have to my
mind done a pretty solid job here. I didn’t even mind that it was modernised
and Americanised. It still plays much the same, really. Also doing fine work is
cinematographer David Ungaro (“Mary Shelley”), it’s a damn good-looking
film, foggy and doomy and gloomy – right up my alley (even if I’d prefer an
older period take on the tale). Yes it’s a tad underlit at times even for a
horror film, as are the perils of digital cameras. However, for the most part
it looks outstanding and not particularly indicative of music videos (though I’m
not surprised the director did videos for Marilyn Manson).
The director is smart enough to get us off and running
relatively quickly – within 20 minutes actually, the spooky shit has already
started. That’s a sad rarity for a horror film these days I find. Most of the
performances are pretty good, with “Stranger Things” kid Finn Wolfhard
perfectly cast as the smug little shit home from boarding school. He’s capable
of showing a certain likability/charm at times too when the script demands it,
but he sure does convince as creepy in the darker moments. He gets downright
uncomfortable at times with Davis. Young Brooklynn Prince is good too – cute as
a button actually, and that’s rather clever to differentiate her from her more
outwardly troublesome on-screen brother. Mackenzie Davis might not be the first
person you’d think of for this role, but she gives a nicely measured
performance. That’s not an easy thing to do given the trajectory her character
goes on here. I think the fact that this is a more modern take on the tale
(it’s set in 1994) probably helps sell Davis in the lead. The one performance
that is slightly overpitched comes from a needlessly bitchy Barbara Marten (who
did several episodes of “The Bill” and “Casualty”), who is just a
tad obvious for my liking. I suppose there’s an overall familiarity here as
it’s been done a zillion times – whether officially or unofficially connected
to Henry James – but for me it worked well enough to recommend, if a touch
overdone. It’s not exactly the scariest film in the world, but there’s one
genuinely creepy bit involving a disembodied hand that absolutely isn’t Thing
from “The Addams Family”. Yes, it’s probably the most overtly
supernatural moment in the film, but creepy is creepy, and that shit’s creepy.
Other supposedly scary goings-on in the film were less interesting to me.
A solid, not especially earth-shattering adaptation of
a Gothic classic. Mostly well-acted, mostly well-shot, and mostly effective.
I’m not sure why critics have been so harsh on this one. It’s pretty good, and
shows that not all music video directors make for hack filmmakers (though I
wasn’t a fan of the director’s previous “The Runaways” which I found
unconvincing and miscast). I would’ve liked something a little more subtle and
ambiguous, but overall I was entertained by this occasionally unsettling, very
atmospheric film. Give this one a go, it’s far from perfect but it does its job
solidly.
Rating: B-
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