Review: Black Water: Abyss
Set in Northern Australia, five friends go for a
weekend of cave exploring. There’s two couples (Jess McNamee and Luke Mitchell,
Amali Golden and Benjamin Hoetjes) and their single mate (Anthony J. Sharpe).
With a freak storm outside, the cave becomes flooded. Worse, there also lurks a
crocodile. Meanwhile, tensions arise among the tight group, with new
revelations revealed as they fight to stay alive.
Director Andrew Traucki’s “Black Water” from
2007 was one of the best creature feature flicks of the modern era in my view.
Low-budget and with a small cast (three people, a croc, murky water, and a
tree), it was tense as hell and utterly convincing. I was on edge for every
second of its length. Traucki returned
with this 2020 genre film that pits a different set of characters in fairly
similar circumstances. Amazingly the quality of the follow-up isn’t that
noticeably lesser than the first film, to be honest which is a rarity. I didn’t
like Traucki’s shark movie “The Reef” much, but in these two crocodile
films he shows he really knows his way around this stuff. I just hope he can
show it in subsequent films that don’t have “Black Water” in the title.
I liked this film, but I’m not really fussed about seeing a third go-round.
The film starts a bit more schlock horror than the
first film, but it’s effective, including the use of the irritating,
all-encompassing sound of Australian summer: Cicadas. The visuals and
soundscape are especially good, that is before we go down in the caves where
darkness and tight spaces add to the danger and tension of an animal attack
scenario. The horrendous weather happening outside the cave helps in creating a
sense of impending doom. The main plot is basically “Black Water”
crossed with “The Descent”, and it makes for some very dark, scary
scenes throughout. The director is clever enough to use the ‘jump’ scares
judiciously, knowing that the darkness and basic situation are tense and scary
enough to do most of the work anyway. So unlike “A Quiet Place” it’s not
just about the ‘jump’ scares. It’s simple but very effective filmmaking, with
the director once again showing he knows how to shoot that muddy, dark water
without it getting too murky to see anything. Like the first film we also only
get glimpses of the croc (last time it was expertly inserted footage of a real
croc from a local zoo), which I think is smart on several levels. I do wish
we’d get middle-aged characters for a change in a horror film, and we get your
typical early 30s characters here. I think spelunking is an insane pursuit, but
for the most part the characters are a relatable and relatively personable lot,
which is important I think. None of the actors are Paul Newman or Bette Davis
(to choose two great actors off the top of my head), but TV veterans Jess
McNamee and former soap actor Luke Mitchell certainly have no problems
convincing, McNamee is especially good here. Former “Australian Idol”
also-ran Amali Golden (formerly Ward) is probably a better actress than singer.
Low bar perhaps, but true nonetheless I think. They all do the most important
thing quite well: Look convincingly terrified.
There’s not really any flaws here, it’s a B-movie that
does what it sets out to and does it well, if not terribly original. The order
of death is perhaps a bit surprising, and the finale is quite different from
the first film too. It’s probably slightly less effective than the first film,
but that’s still a lot better than most sequels. A good Aussie genre film that
gets in, keeps you gripped throughout, and gets out in due time. More like
this, please. The screenplay is by Ian John Ridley (TV’s “Stingers” and “Wentworth”)
& Sarah Smith (also an Aussie TV scribe, including “Rescue Special Ops”).
Rating: B-
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