Review: Killer Joe
Set mostly in a Texas trailer park, Emile Hirsch plays
a low-life with a significant gambling debt he can’t afford to pay. When his
ne’er do well father (Thomas Haden Church) claims he’s unable to get that kind
of money himself, Hirsch comes up with a desperate plan: His no-good mother has
life insurance, with Hirsch’s aptly named sister Dottie (Juno Temple) as the
beneficiary. Hirsch suggests hiring someone to bump mum off and split the
insurance money. The guy Hirsch goes to for the job is a Texas police detective
named Joe (Matthew McConaughey) who does some contract killing on the side. Problem
is Joe is a creep who wants $25,000 up front, and when Hirsch can’t pay it, he
decides he’ll take the virginal Dottie as a ‘retainer’ instead until the money
can be paid. Gina Gershon plays Haden Church’s current wife, who also wants a
cut of the money.
Adapted by Tracy Letts (“Bug”) from his own
play, this 2011 film from esteemed director William Friedkin (“The French
Connection”, “The Exorcist”) is a good film that will absolutely not
be for everyone. This is dark, very tough stuff set in a very dark and ugly
world. At the centre of it all is a commanding, extraordinary performance from
Matthew McConaughey in the title role. As good as everyone else is here, it’s
Joe that truly grabs you as a character. He’s charismatic, but in an utterly
craven way, as well as being both intimidating and genuinely terrifying. His
entrance is also hilarious.
Which brings us to the humour, another important
element. As dark as this is – and boy howdy is it – it’s also quite funny at
times for those with an appropriately twisted sense of humour. Even during the
film’s most controversial scene there’s still room to give the terrific Thomas
Haden Church a funny line: ‘I’m never aware’. As awful as some of the events
are here, you can’t help but laugh at how clueless Haden Church’s Ansel is and
how little authority and respect he gives/gets. The guy is a borderline dumb
arse and completely gullible, Haden Church is a talented actor but he really
outdoes himself here. I also liked that it was a stage play adaptation that in
no way came across like one. I always hate that, so I was glad to see this film
avoid that pitfall. The one flaw here is that I don’t think Friedkin and Letts
arrive at quite the right note to end on. Otherwise, I found little to complain
about.
A good neo-noir full of unpleasant low-life characters
whom some might not want to spend any time with. However, a well-made film is a
well-made film, so if you were able to stomach “The Killer Inside Me”
you might be able to get through this one and appreciate it. Matthew
McConaughey towers over all in the best performance of his career thus far. This
is the performance he should’ve won an Oscar for but wasn’t even nominated. That’s
a travesty in my book.
Rating: B-
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