Review: Die! Die! My Darling!
Stefanie Powers is an American in
Britain currently engaged to Maurice Kaufmann. Whilst in the country, she
decides to visit the mother (Tallulah Bankhead) of her previous fiancé who died
a few years back. What Powers had hoped would be a quick pop-in to pay her
respects, turns into a seemingly unending bizarre nightmare as the old
bible-thumping battle-axe ensures Powers can’t leave. Peter Vaughan and Yootha
Joyce play Bankhead’s creepy servants who have their own alternate reasons for
staying in Bankhead’s employ. Donald Sutherland turns up in the role of an
intellectually challenged handyman.
Although it’s not among the
better-known or more widely seen Hammer films, this 1965 outing from director
Silvio Narizzano (“Georgy Girl”, “Loot”) has its fans out there.
I’m not among them. Also known as “Fanatic” and scripted by the pretty
reliable Richard Matheson (“The Incredible Shrinking Man”, “The Fall
of the House of Usher”), this adaptation of an Anne Blaisdell novel really
doesn’t come off like a Hammer film at all. It’s not one of their period
outings, and it had very much the look of a 70s TV-movie to me. It’s also
boring as hell, leaving me to wonder if “The Anniversary” was quite so
bad after all. It’s not the worst Hammer film out there (“Spaceways”, “Crescendo”,
“Curse of the Mummy’s Tomb”, and “The Terror of the Tongs” still
exist), but it still feels pointless, repetitive, and static. “Hush…Hush,
Sweet Charlotte” it ain’t and boy does it want to be.
Tallulah Bankhead is terrific, but she
and well-cast Yootha Joyce, Peter Vaughan, and Donald Sutherland can’t come
close to compensating for a film with zero energy or plot momentum. Meanwhile,
lead Stefanie Powers is a bland 70s/80s TV-level actress and Maurice Kaufmann
is a poor man’s Christopher Plummer by way of a poor man’s Laurence Harvey.
They’re certainly no help, with Powers seemingly acting like she’s in a sitcom.
Dreadful, jokey music score by Wilfred Josephs (“Cash on Demand”, “The
Deadly Bees”, “Cry of the Banshee”) is the urinary icing on the turd
cake. The music and Powers seem to exist on a totally different plane to
everything else here. If you do watch, look out for a certain someone’s
inability to stop blinking when supposedly being dead.
Very little plot, zero momentum, and
two terrible performances from a couple of the major players here sink this
one. This boring psychological horror/thriller goes nowhere and seems very
uncharacteristic of Hammer on every front. I didn’t get this one at all.
Rating: C-
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