Review: The Amazing Spider Man
Abandoned by his parents into the care of his Aunt (Sally Field) and
Uncle (Martin Sheen) at an early age, Peter Parker (Andrew Garfield) has
developed into an awkward and unpopular teen (Partly because the actor playing
him is 28? Just putting it out there...). Peter learns of his father’s work
alongside Dr. Connors (Rhys Ifans) before the former’s disappearance, and uses
a field trip to Oscorp (where the good doctor is employed in cross-species
genetics research) as an excuse to poke around. Unfortunately, Peter manages to
get himself bitten by a lab spider, and soon after begins to notice some
significant changes in himself. He’s super-agile, super-strong, and super
um...Spidey. When tragedy hits close to home, Peter dons a costume to become
Spider Man. Meanwhile, Peter starts to gain the attention of pretty fellow
student Gwen Stacy (Emma Stone), daughter of the local police captain (Denis
Leary). Campbell Scott and Embeth Davidtz have cameos as Peter’s parents.
Maybe I should stop watching comic book or superhero films, because by
and large, I haven’t liked the more recent crop. Certainly none have been able
to hold a candle to 1978’s “Superman” or even Tim Burton’s underrated “Batman”.
I haven’t liked any of the “Spider Man” films all that much, and couldn’t
work out why we needed a series re-boot after just ten years. After watching
this wholly unnecessary, uninteresting Marc Webb (“500 Days of Summer”)
film from 2012, I’m still scratching my head. It adds nothing, and is lacking a
whole helluva lot. The first “Spider Man” film was largely a waste of
Sam Raimi’s time. This one was a waste of my
time. But at least they got the perfect person to play the Green Goblin in Emma
Stone. Oh, she’s the love interest? But she has a gremlin head!
No, this film simply won’t do, and it reinforces its lack of necessity by
pretty much following the plot of the first film, just changing a few cosmetic
details here and there. That simply isn’t acceptable, especially when the film
takes forever to get going, and goes for far too long. I mean, hello...we’ve
already seen most of this three times before, and yet we have to wait forever
for Spiderman to show up. Hell, Peter Parker even gets bitten by a spider in
almost the exact same way, making me wonder why they bothered making such
slight differences. Or why the film was made at all.
When things are greatly
changed, it’s mostly for the worse.
Beginning with Peter Parker himself, as played here by Eduardo...er...Andrew
Garfield. Tobey Maguire might have been a slight stretch as a superhero, but he
was absolutely spot-on as nerdy Peter Parker. Garfield is like a slightly more
talented Robert Pattinson (but with messier hair- seriously, it distracted me
throughout), a GQ model masquerading as an actor, and pretty much giving the
same performance in everything. Hell, he has the same damn open-mouthed
expression throughout the film, like the male equivalent of Kristen Stewart. He
just doesn’t convince as nerdy Peter in the slightest, his social awkwardness
rings entirely (and insultingly) false. Worse, though, is the way Peter has
been written this time out, that is, the changes to his character from the
previous films (Of which I assume this film isn’t really connected, but
nonetheless). He’s a selfish prick who isn’t even remotely sympathetic. In
fact, over the course of two hours he is responsible for at least two people
dying, and one guy turning into a supervillain. Spiderman might be a hero, but
Peter Parker is a douchebag villain. In fact, screw it, Spiderman in this film
is the worst superhero of all-time. It’s all his damn fault, or more precisely,
the fault of screenwriters Steve Kloves (most of the “Harry Potter”
scripts), Alvin Sargent (“Ordinary People”, the overrated “Spiderman
2”), and James Vanderbilt (“Basic”, “Zodiac”, “The Losers”),
who make an absolute botch-job of the central character. Garfield isn’t any
good, but I don’t think anyone could’ve redeemed this jerky Peter Parker to the
point where his superhero name shouldn’t be Spiderman, it should be Jinx (first
name ‘Effing’).
As I’ve eluded to earlier, I don’t enjoy Emma Stone as an actress at all.
Kirsten Dunst and her heroin addict eyes (well, that’s what she looks like, I’m not saying she is of course) was never my idea of an
appealing leading lady, but I find Stone’s persona off-putting. Her “Juno”-esque
snarky sarcasm deal grates on my nerves, and she does the exact same act in
every film I’ve seen her in, including this one. She’s not playing Gwen, she’s
playing herself, and she’s really obnoxious. I do feel a bit sorry for her,
though, because unlike Mary Jane, Gwen is barely used throughout the film. Her
relationship with Peter isn’t tentative, it’s fitfully (under) developed. And
that’s being charitable. I’m sure the character and relationship will evolve
throughout the series, but in this, Stone’s Gwen seems to come from an entirely
different film, or more to the point, she’s never successfully integrated into
this one. BTW, I wasn’t just being mean when referring to Gwen as the Green Goblin.
Watch the film and I swear she’s essentially doing a riff on James Franco’s
role in the earlier films. I’ll say no more than that (And yes I am aware of
the irony in comparing Gwen to the Green Goblin, thank you very much comic book
geeks).
The other characters and actors fare a bit better, but only a bit. Sally
Field and Martin Sheen are by their very casting alone (despite Sheen not
looking like a simple ‘working man’ to me), far greater as the parental figures
in Peter’s life than were Cliff Robertson and the irritatingly whistle-voiced
Rosemary Harris. Unfortunately, neither actor gets much to chew on here, and
because Field still looks so fresh-faced for her age, they’ve had to make her
look as unkempt and dowdy as possible, to near comic effect. Both actors are
way better than this material. Rhys Ifans, meanwhile seems initially very
well-cast, but proves much more unsettling pre-transformation. The more
stripped-back version we see late in the film is a lot scarier than the CGI
creature, too. In fact, Lizard is just a terrible, lame-arse villain, and the
supposed tragedy/pathos afforded the character doesn’t quite cut it because,
well, he’s played by Rhys Ifans for cryin’ out loud. The FX are simply poor, as
usual, the eyes just aren’t realistic and you never believe the creature is
anything other than a video game character amidst real actors and backgrounds.
I’ll try to keep my patented anti-3D rant as short as possible, but once again,
seeing the film in 2D, the third dimension simply leaves a stain on the 2D
image that we will all be watching in the future. The use of CGI in not only
Lizard (a guy in a rubber suit would at least be able to look convincing in
interactions with buildings and people to a certain extent), but some seriously
lame CGI flames, is seriously cheap-looking. The best use of CGI, in fact, the
best thing in the entire film, are the action scenes of Spidey flying around. I
always liked those scenes in the previous films, but the FX are more improved
this time around. That said, it takes about an hour for Spidey to even turn up,
and given this is essentially the fourth film, that’s about 40 minutes too
long. Also worth mentioning is the work by Denis Leary. Although HD clearly
isn’t his friend, Leary’s presence livens up a pretty dead film. He gets a
particularly great line to Garfield at one point in regards to Lizard; ‘Do I
look like the mayor of Tokyo to you?’.
Why is this film so long? No superhero film not named “Superman”
and not made in 1978 should run this long. I know this is Webb’s first Spidey
film, but it’s our fourth. But look,
this film is full of problems,
failing to provide effective heroes, villains, and damsels in distress. It’s a
borderline bad film and probably the worst Spiderman film so far.
Rating: C
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