Review: Kingsman: The Secret Service
Colin
Firth stars as Harry Hart, AKA Galahad, an agent for the title super-spy
organisation, whose life is saved by a fellow agent on a mission, where he
jumps on an explosive, sacrificing his life to save Harry’s. Harry is
distraught and feels as though he failed. He gives the dead man’s widow a medal
that has a phone number on the back, that he tells her to call if she ever
needs anything. 17 years later, the dead agent’s young hooligan son ‘Eggsy’
(Taron Egerton) gets himself arrested for stealing and having a bit of fun with
someone else’s flash car. Seeing the number on the back of the medal, he uses
it as his one phone call. Before long, Harry has bailed the young twit out. It
doesn’t end there, though. I mean, that’d be a bloody short film, wouldn’t it?
Harry has been tasked with finding a replacement for the recently terminated
Lancelot (Jack Davenport), and after the duo engage in a bit of pub brawling
with some stupid thugs, Harry decides to let Eggsy be one of the select few to
try out for the gig. Taken to a secluded mansion (though the organisation’s HQ
is out of a fancy tailor’s shop), he and the other recruits (all from far more
upper class stock than Eggsy, I might add) are put through hell by instructor
Merlin (Mark Strong, with Scottish…ish brogue). In the end there will be only
one. Will that be Eggsy? His streetwise, mumbly Londoner demeanour doesn’t
immediately seem the right fit for the smartly-suited, dapper model of a
Kingsman, but perhaps he has something in him that his more posh fellow
trainees lack. Meanwhile, a lisping, baseball cap-wearing American tech tycoon
named Valentine (Samuel L. Jackson) seems to be planning something sinister
with his promise of free SIM cards for everyone (and therefore free internet
and phone services). Or is Valentine just a goofy, lisping nice guy who wants
to give us all free stuff for the sake of it? Don’t ponder that one too long,
folks. In smaller roles, an intimidating Geoff Bell plays Eggsy’s mother’s
bullying thug boyfriend, Sofia Boutella plays Valentine’s double amputee
henchperson, Mark Hamill (!) plays a supposedly missing scientist, and Sir
Michael Caine plays Kingsman head Arthur, who is a bit of a snob.
I
was a bit middling on “Kick-Ass”, but this 2015 flick from visually
dynamic comic book adaptation by director Matthew Vaughn (who also gave us the
solid Brit gangster pic “Layer Cake”) and his “Stardust” and “Kick-Ass”
co-writer Jane Goldman is much, much better. Don’t let the awful trailer
deceive you, this one’s a lot better than it initially seemed to me and a lot
of violent fun. It starts out rather jam-packed, and who doesn’t love Dire
Straits’ ‘Money for Nothing’? Well no one was asking you, sit down! We also get a terrific music score by Henry Jackman
(“Big Hero 6”) and Matthew Margeson (“Kick-Ass 2”) that evokes
John Barry (“Goldfinger”) and Danny Elfman (“Batman”) at the same
time. We even get Mark Hamill attempting an English accent (and given more
dialogue than in “The Force Awakens”) as a stuffy professor, and Jack
Davenport stealing the opening section in his best performance to date. By the
way, Mace Windu and Luke Skywalker briefly share the screen in this. This is
important. And awesome. And that’s just the opening 10 minutes!
The
trailer really doesn’t do this one any favours, because whether it’s to
Vaughn’s credit or the original source, familiar elements have been put
together in a way that creates something wholly unique…and wildly entertaining.
Yes, Vaughn’s a visual show-off, but in this case, it works because the
material is fun. Vaughn’s in-your-face visual style and Colin Firth kicking
arse whilst basically dressed like a nerdy John Steed is jolly bloody
entertaining (with a fair emphasis on ridiculous violence that would make 007
faint). Firth is inexplicably ideal here, he’s seemingly so wrong on paper but
it actually works, disarmingly. I really do think Firth is an amazing actor of
great, perfectly-pitched understatement, and even in a silly, crazy film like
this he displays it. He does and says a lot and yet…very little, at the same
time. Here he plays the whole thing quite seriously and effectively. Also, it’s
Colin Firth as an action hero. Let that one sink in, and then let it sink in
that it actually works, mainly because of the absurd level Vaughn has pitched
the film at, and partly because Firth himself refuses to wink and nod in the
role. I’m not sure it really would’ve worked if Firth had played it for yuks or
Vaughn had played things deadly straight. As is, Firth and the film is one of
the best surprises of 2015 for me. Firth’s not the only surprisingly good
element here, a lisping Samuel L. Jackson contributes one of his best turns in
years as the chief villain. In fact, this is what Jackson’s performance in the
dire “The Spirit” should’ve been like, except “The Spirit” was
terrible on the whole. He’s hammy and silly as hell, but without crossing over
into eye-rolling fatuousness and hollowness. That’s what I was worried about
from the trailer. Having seen his empty cartoony shtick in “The Spirit”,
I assumed that’s what we’d get here, too. Instead, it’s a fully-realised
character for him to sink his teeth into, rather than just Sammy J acting goofy
for its own stupid sake. Dressed as a total goofball and embodying the crass
American stereotype, it’s a really inspired characterisation made up of all
different influences. There’s a little Bill Gates/Mark Zuckerberg, a little
Russell Simmons, a touch of Blofeld, and quite a lot of Gene Hackman’s Lex
Luthor in “Superman”. Also, his character’s idea of a fine dining
experience is brilliant. And basically a big part of my own diet, if I’m being
honest. I also liked his ‘blade runner’ (The Pistorius kind, not the Ridley
Scott kind) henchwoman played by Sofia Boutella. She sure is something to
behold, and probably not a bad idea for a Bond (Bad) Girl, actually now that I
think of it.
Sir
Michael Caine appearing here in admittedly too small role is pretty fitting
given Firth is wearing Harry Palmer-esque glasses in the film. Meanwhile, Mark
Strong is typically good, but should never be encouraged to try a Scottish
accent ever again. I like the guy but…no. Look out for a small appearance by
hard arse Geoff Bell as the lead character’s abusive stepfather. Bell is
legitimately frightening, and I commend Vaughn for including such a straight-up
mean and violent character with no humour, in a film that otherwise has quite a
lot of it. It’s not jarring in any way, oddly enough. I also commend Vaughn for
ballsy late scene where an entire church full of bigots is blown away by one of
the protagonists. These people are technically not evil, in fact many would
just call them ‘God fearing’. However, I applaud Vaughn for saying ‘fuck that
shit’ and mowing them down, all 79 of them if you are to believe IMDb. It’s a
fictional film, not real life after all (I in no way condone the murder of
innocent people in real life, bigots or not!), and I somewhat agreed with the
sentiment. You can agree with the sentiment without having a bad taste in your
mouth here I think. Also, the character in question is being manipulated by the
main villain’s mind-control plan anyway. Although it works quite well on a
crazy action movie level, the humour is great, too. My favourite gag was
probably the one where Firth tries to explain to young Taron Egerton (who is a
bit wooden and uncharismatic to be honest) what he has planned for him, using
film references. The gag is that the kid (a young cockney thug) hasn’t seen “Trading
Places”, “Nikita”, or “Pretty Woman”, but has seen “My
Fair Lady”. There’s also a funny bit where the young trainees are asked to
choose a puppy to train, and our hero chooses what he thinks is a bulldog. It’s
a pug. Quite clearly a pug. I love pugs (had them in my family for
generations), but good luck trying to train one to do something you want. The
pug in question, by the way, is a constant scene-stealer.
A
whole lot of fun. Perhaps 10 minutes too long, but there’s a lot of crazy
entertainment here so that you never have time to get bored. Firth is ideally
cast-against-type (!), and Samuel L. Jackson’s lisping Russell Simmons meets
Bill Gates villain is an absolute hoot. It won’t be for everyone, but this is a
whole lot better than its trailer made it seem. It’s also better than any of
the dour Daniel Craig 007 films. Yeah, I said it. Based on the comic book by
Mark Millar (“Wanted”, “Kick-Ass”) and illustrator Dave Gibbons (“Watchmen”).
Rating:
B
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