Review: Friday Night Lights


Based on true events, this film follows one season of the Odessa-Permian Panthers Gridiron team, and their newly appointed coach Gaines (Billy Bob Thornton). Odessa, you see, is a town full of deadbeats, no-hopers, and coulda-beens whose only bright spot is their high school football team, and Coach Gaines is under enormous pressure to win, win, WIN AT ALL COSTS. Lucas Black is the brooding but unassuming quarterback who has an ill mother and designs on leaving Odessa forever, ASAP. Derek Luke plays the egotistical but talented star player, and Garrett Hedlund is the son of a former champion Odessa-Permian player turned volatile drunk (played by country star Tim McGraw, very believably too).



2004 Peter Berg (“Very Bad Things”, “Lone Survivor”, “Patriots Day”) gridiron drama has fine performances and seems fairly rooted in reality, but doesn’t offer much else in the way of originality or entertainment for the non-Gridiron loving person like me (it seems a perfectly acceptable 80 minute game stretched agonizingly to about 180 excruciating minutes that feel even longer!). It’s all too low-key and mopey for my liking, with really only two fully-realised characters (Thornton’s and Black’s).



I’m afraid there wasn’t a whole lot going on for me here, beyond the cast. It’s nice to see Thornton and his “Sling Blade” co-star Black together again, even if the results are much lesser this time around. One for the American sports nuts, I guess but I thought it was pretty formulaic and clichéd for the most part.



Rating: C+

Comments

Post a Comment

Popular posts from this blog

Review: Hellraiser (2022)

Recovering junkie Odessa A’zion accompanies scuzzy boyfriend Drew Starkey on a break-in where all they find is a weird puzzle box. A’zion later opens the box and after some weird shit happens, A’zion and Starkey figure it might be a good idea to learn more about this messed up trinket. Goran Visnjic plays a millionaire who possessed the box before our protagonist nicked it.   Is there any point in remaking/rebooting “Hellraiser” when the 1987 adaptation of Clive Barker’s original text was written and directed by Barker himself? And is considered a horror classic? On evidence here, absolutely not. Directed by David Bruckner ( “The Signal” ) and scripted by Ben Collins ( “The Night House” ) and Luke Piotrowski (ditto) this is an entirely tedious affair. I took a long time to get on board with the 1987 “Hellraiser” , I have to admit. It was wildly imaginative and original, like a nightmare transplanted on to film. However, the characters were stone cold and left me similarly chilly t
Read more

Review: Cinderella (1950)

The story of poor young Cinderella (voiced by Ilene Woods), treated as a servant by her nasty stepmother (voiced by Eleanor Audley), and dismissed by her thoroughly rotten, ugly stepsisters. Her only friends are a group of mice, who are forever being menaced by a cat named Lucifer (or as I call him, Grumpy Cheshire Cat). The King (hoping to find a wife for his charming son) is throwing a ball and every available young woman is invited to attend, and Cinderella is most excited to go. However, her stepmother and stepsisters do all they can to prevent this from happening. But with help from the mice and one fairy godmother (voiced by Verna Felton) later, and Cinderella looks set to attend the ball. You know the rest, folks.   Lovely 1950 Disney animated movie from directors Clyde Geronimi ( “Peter Pan” , “Lady and the Tramp” ), Wilfred Jackson ( “Fantasia” , “Alice in Wonderland” , “Peter Pan” ) & Hamilton Luske ( “Pinocchio” , “Fantasia” , “Peter Pan” ), that is a bit too s
Read more

Review: Eugenie de Sade

Eugenie (Soledad Miranda) makes a deathbed confession to author/biographer (Jesus ‘Jess’ Franco himself), recounting the tale of how her depraved stepfather (Paul Muller) groomed her into a life of depravity, debauchery, and murder.   Not to be confused with the similarly titled “Eugenie…The Story of Her Journey into Perversion” (by the same director) or “Justine de Sade” (which is not to be confused with Franco’s own “Justine” for that matter), this 1973 Marquis de Sade adaptation from writer-director Jesus Franco ( “99 Women” , “A Virgin Among the Living Dead” ) is perhaps the perfect marriage of Franco, sleazy material, and actors. Basically this is what Franco’s “She Killed in Ecstasy” might’ve been like if it were based on a Marquis de Sade work. There’s a few slow spots here and there, but overall I actually think this is Franco’s best film. Yes, even better than my previous choice “Vampyros Lesbos” , and better than his more ‘respectable’ films like “Count Dracula” (a
Read more