Review: American Assassin
Dylan O’Brien plays Mitch, who
loses his girlfriend to a bloody terrorist attack whilst holidaying in Spain.
The poor guy had only just proposed, too. We immediately jump to a year and a
half later and now Mitch is full of ideas of furious vengeance. Having tracked
down the terrorists responsible, he finds that the problem is taken out of his
hands by the CIA, who then offer him a job. Recruited by Sanaa Lathan’s CIA
bigwig, he will join an elite squad of covert operatives to be trained under
gruff Stan Hurley (Michael Keaton). Eventually things lead to a plot about
Iranian terrorists supposedly working on building a nuclear device. Scott
Adkins plays one of the other recruits, Taylor Kitsch plays a former agent now
gone rogue, David Suchet is Lathan’s superior in the CIA, and Shiva Negar plays
a female recruit.
In a perfect world, Scott Adkins
would already be the biggest action star on the planet. He’s got the looks, the
martial arts skills, he can speak English coherently and relatively
expressively, and although now around 40 years of age, he’s still young enough
to pull the action hero thing off on-screen. Since we live in this world, Vin
Diesel and Scarlett Johansson are our A-movie action heroes, whilst Adkins gets
to star in C-grade action movies and play fourth-tier supporting roles in wider
releases like this 2017 film from director Michael Cuesta (the average “Tell-Tale”,
the solid “Kill the Messenger”). Our hero in this is Dylan O’Brien, and
frankly he’s miscast in a role that Adkins (perhaps a few years ago) would’ve
kicked-arse in. The film is pretty blah to be honest anyway, but O’Brien is a
big part of why I didn’t have much fun with this one. If it weren’t for the
very fine Michael Keaton, it might’ve been a real slog to get through.
Things start off quite well, with
a pretty compelling and violent opener, getting right to some pretty intense
action. I’m not crazy about the use of handheld camerawork, but it is what it
is at this point I guess. However, 10 minutes in and yeah…I just wasn’t feeling
O’Brien. He just didn’t seem like the same guy we saw in the opening scene, and
I don’t think O’Brien is any good in the role past that opening scene. It
doesn’t help that the filmmakers don’t give us enough of a transition between
that opening scene and the hardened, vengeful operative that O’Brien becomes.
It’s a pretty big flaw in the screenplay, which actually comes from the pen of
four people: Stephen Schiff (Adrian Lyne’s “Lolita”), Michael Finch (“Predators”,
“The November Man”), Edward Zwick (the director of “Glory” and “Blood
Diamond”), and Marshall Herskovitz (Zwick’s “The Last Samurai”), as
well as being an adaptation of a novel by Vince Flynn. The transition just
isn’t plausibly written, and whilst O’Brien might think he’s a brooding bad
arse, he comes off more like the late, uber-bland himbo Paul Walker. He’s just
not right, and it’s amplified by having the much more appropriate (if you
excuse his age) Adkins playing a fifth banana to this wannabe Jack Bauer. Hell,
Taylor Kitsch is more impressive than O’Brien, essentially playing the other
side of the same coin to him (They were presumably cast because they look a bit
alike, which isn’t uninteresting). Kitch is sadly underused though as well,
David Suchet even more so in a useless role. The plot is frankly very silly and
clichéd, like a mixture of “Salt”, “The Accountant”, the Jack
Ryan franchise, and a billion other films I could rattle off. Poor Sanaa Lathan
in particular looks bored shitless here with the tired plotting. She’s a good
actress but unable to make any of this seem plausible or original. Despite a
twist or two early on, the events here become more predictable and formulaic
towards the climax, as do the characters. The best thing I can say for Adkins
here is that he gets a reasonable amount of screen time…for the first 40
minutes whereupon he leaves the picture entirely. He also doesn’t get a damn
thing to do in those 40 minutes.
The film is utterly ordinary and
the only things keeping you awake are the violence (there’s a lot of gunfire in
this) and Michael Keaton. Keaton’s admittedly not the first actor I’d think of
for his role- Kurt Russell, Dolph Lundgren, Mel Gibson, Stephen Lang, and
Dwayne Johnson would all come to mind first for me. However, he’s the only
really legit actor this thing has, and while perhaps a tad old for the part, he
nonetheless works in it. The action is perfectly fine, if a bit “Jason
Bourne” for my liking and not frequent enough.
A more appropriate and charismatic
lead actor would not have saved this predictable and silly film, but it
certainly would’ve improved it somewhat. It’s dull, despite fine work by
Michael Keaton. Scott Adkins continues to be poorly used by mainstream
Hollywood.
Rating: C
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