Review: Tekken
Set in Tekken City, in the corporate-run future
where the Iron Fist tournament is held featuring the best fighters from each
rival corporation/sector. Cary-Hiroyuki Tagawa plays Heihachi Mishima, creator
of Iron Fist, with Ian Anthony Dale as his son Kazuya. When young Jin (Jon Foo)
steals Tekken equipment for a band of rebels, Kazuya retaliates by killing
Jin’s mother (who trained him in martial arts, by the way). Jin, hoping for a
chance at revenge, signs up for a free slot in Iron Fist. Meanwhile, Kazuya
seeks to usurp his father’s control and chooses the Iron Fist tournament as his
opportunity, whilst also making sure that Jin (whom he quickly recognises) has
no hope of winning the tournament. Luke Goss plays a former Tekken contestant
who acts as manager for Jin. Gary Daniels plays current Tekken champ (and
all-round badass) Brian Fury, whilst other competitors include Christie
Monteiro (Kelly Overton), Raven (Darren Dewitt Henson), Nina and Anna Williams
(Candice Hillerbrand and Marian Zapico) Marshall Law (Cung Lee), and Eddy Gordo
(Lateef Crowder).
There’s no secret that Hollywood has done a shit job
of translating computer games into movies. You can argue as to which few have
come closest to being worthwhile, and for me that would be “Resident Evil”,
which was formulaic but watchable, and “DOA: Dead on Arrival”, which was
at least amusing. But the majority of the rest are either mediocre (“Mortal
Kombat”, “BloodRayne”, “House of the Dead 2”) or flagrantly
terrible (“Street Fighter”, “Street Fighter: The Legend of Chun-Li”,
“House of the Dead”, “In the Name of the King: A Dungeon Siege Tale”,
“Doom”, and “Super Mario Bros” to name but a few). This 2010
adaptation of the popular fighting game, directed by journeyman Dwight Little (“Anacondas:
The Hunt for the Blood Orchid”, “Rapid Fire”, “Marked for Death”)
and scripted by Alan B. McElroy (“Rapid Fire”, “Wrong Turn”, “The
Marine”) is definitely in the blandly mediocre category. It is, however,
probably the best of the adaptations of the ‘big four’ fighting games (“Mortal
Kombat”, “Double Dragon”, and “Street Fighter” being the
others. I’ve not played the game itself, so I can’t comment on that, but for
the most part, this isn’t terrible.
What the film has over most of the others is that
although it has a similarly goofy futuristic/mystic bent, it’s better-written
and more interesting than any of the others. Well, slightly anyway. It offers
an interestingly ugly worldview early on, kind of a mixture of post-apocalyptic
and Chinatown (a bit like “Blade Runner”, perhaps but less mopey), and I
was glad that an otherwise tournament-based film at least took the time to give
us a bit of a story and a bit of a vision. I also liked that the protagonist’s
origins were pretty damn mature and traumatic, though I have no idea if the
game featured such material.
Once we get to the tournament, however, that’s when
things start to disappoint. There are too few fights, especially considering
they are supposed to be to the death, and we have way too many characters still
alive for too long. After a while, you feel like most of the characters have
just been abandoned, and overall it seems truncated to the point of
retardation, to be honest. The fight scenes, when we get them, are mostly fine,
but after “Ong-Bak”, “Undisputed II”, and “Undisputed III”,
I feel like I’ve already been spoiled. The action is better than in any
previous adaptation of a fighting game, and more brutal, but there’s just not
enough. There’s also way too many MMA takedowns. In “Undisputed II”, it
makes sense, but were there a lot of MMA takedowns in the “Tekken” game?
I’m betting on ‘no’. The other problem I have is that some characters in my
view ought to have lasted longer than others. Capoeira exponent and stuntman
Lateef Crowder is terrific as Eddy Gordo, but he’s the first one to be
eliminated. In a tournament that also features women. Who fight in outfits that
show their arse crack. It just didn’t seem right to me. Darren Dewitt Henson
and his Simon Phoenix hairdo aren’t bad, but not good enough to be going over
Eddy Gordo, one of the more memorable characters from the game (to the point
where even I knew who Crowder was playing before hearing the character’s name
despite having never played it). Gary Daniels, meanwhile, looks good for his
age and seems to be in fine physical shape, but to me he’s always been one of
the least interesting martial arts action movie stars of all-time, and thus I
had no interest watching him whatsoever. He’s good in the fights, but once
again, I wanted to see more Crowder. I also had no interest whatsoever in
watching the women ‘fighters’ act like they had a snowball’s chance in hell
against the male fighters in this. I’m not sexist, I’m talking about these
specific women against these specific men. They would never get past the first
round, save for luck of the draw. Every time they appeared in a fight, it took
me out of the moment. The talented, but typecast Cary-Hiroyuki Tagawa
(seemingly a pre-requisite for any martial arts tournament movie based on a
video game) does his best, but is wasted in a rather uninteresting, figurehead
role. He’s also saddled with the worst wig you’ll likely ever see (It’s like
Mr. Miyagi on a bad hair day). As his son, Ian Anthony Dale looks nothing like
Tagawa, and is pretty dull as the lead villain, almost a villain by reputation
only. That still makes him better than Raul Julia and Neal McDonough in the “Street
Fighter” films, though. The best performance comes from former boy band
member Luke Goss, as Foo’s trainer, but the role is pretty crap, unfortunately.
Lead actor Jon Foo was far more memorable opposite Tony Jaa in “The
Protector” than he is in the lead role here. He also can’t act a lick. He
might be young and hot enough to be a star of some sort, but I doubt he’ll end
up much of an actor.
It’s competent, but there was enough potential for
more that it ends up frustrating and disappointing. It’s one of the best of
these fighting video game films, merely by default, really. Now if Crowder was
in the film more...
Rating: C
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