Review: Feast
Scummy
inhabitants of a scummy bar are trapped inside whilst nasty, flesh-eating
monsters try to get in for feeding time. Navi Rawat plays ‘heroine #1’, Krista Allen
is a MILF, Balthazar Getty is the town jerk, Clu Gulager the bartender, Eileen Ryan
is a barfly, Jason Mewes is apparently playing himself (was he just a barfly
who wandered in thinking it was a real bar?), and Henry Rollins is a pacifist
self-help guru.
The
making of this schlocky 2005 horror-action pic from first-timer John Gulager
(son of veteran character actor Clu Gulager), was seen on the Ben Affleck/Matt
Damon brainchild “Project Greenlight”. That fact is just about the most
interesting thing associated with this glib, worthless, messy piece of snot.
It
spends far too much time with its smart-arsey head up its own arse (cute little
profiles for each of the characters, telling us the likelihood of their
survival. Not cute, but annoying, really and lame. Mewes’ inclusion is
particularly stupid, and ultimately worthless), and not enough time making it
all worth watching. I’m all for tongue-in-cheek, but why should we give a shit
about anyone or anything here if director Gulager himself doesn’t appear to?
The characters are mostly insufferable, anyway. It’s not just in the story and
characterisation that the film seems determined to provide the least amount of
entertainment. Even though the film offers up plenty of nasty, squishy-sounding
gore (a little kid even gets killed early on!), it’s edited and shot in such a
frustratingly ADHD manner that you can’t enjoy any of it, because you can’t see
a fucking thing! The whole thing keeps the audience at a distance from start to
finish.
The
amazingly hot Rawat, whose casting the director was apparently not happy about
(from what I’ve read) is a shining light, having a slight Sigourney Weaver
quality. But she’s a rose in a dung pile (Getty isn’t awful, but not exactly a
magnetic screen presence. I’m guessing Richard Grieco, Costas Mandylor and Judd
Nelson all failed to return the director’s calls), and sadly, not in the film
all that much, either. Shameless waste of actor/musician/spoken word genius
Rollins too in a dumb role. And speaking of shameless waste, why cast the
bodacious Krista Allen in your film and then have her play the decidedly unsexy
role of a single mother?
It
wants to be somewhere in between “Day of the Dead” and “From Dusk
Till Dawn”...it ends up being a waste of space, and anti-entertainment. The
useless screenplay by Marcus Dunstan and Patrick Melton (fellow “Project
Greenlight” winners who went on to write “The Collector” and several
of the “Saw” sequels).
Rating:
D+
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