Review: Friday the 13th Part VII: The New Blood
Under the guidance of her
shrink (Terry Kiser), a young woman named Tina (Lar Park Lincoln) is staying at
Camp Crystal Lake, along with her mother (Susan Blu) to work on her emotional
issues. Tina, who has telekinetic powers (!) unwittingly revives zombified
killer Jason Voorhees (Kane Hodder), who then goes back to his usual line of
work. I blame the shrink.
In this franchise, the word
‘New’ means about as much as the word ‘Final’. Directed by horror FX specialist
John Carl Buechler (“Cellar Dweller”, “Ghoulies
III”), this 1988 sequel has better cinematography than the previous “Jason
Lives”, otherwise the result is pretty much the same sub-mediocrity. I’ve always
felt that entries 5-7 were this series fumbling about trying to figure out what
to do to keep the franchise alive and the $$ coming in. Last time, it felt a
bit like one of the “Halloween” sequels but with Jason instead. This time out, it’s
a mixture of “A New Beginning” (the fifth film, which I
actually think was somewhat tolerable) and an “Elm Street” sequel. And a little telekinesis for fuck knows
what reason. Even the music score by Harry Manfredini (composer of the previous
films) & Fred Mollin (who took up the mantle from Manfredini in the
subsequent “Jason Takes Manhattan”) will remind you of the “Elm
Street” series. As for our telekinetic heroine Tina, the filmmakers clearly try
to make her this franchise’s version of Kristen. If I’m not mistaken though,
Tina was never seen again after this one…so yeah, that worked out well. The
music starts off well-enough, but quickly becomes overly loud and cheesy.
That’s a shame.
The film starts with an
amusing voiceover narration with clips of previous films, especially the
previous one. This is followed by one of the best titles design bits with light
shining out of the holes in the mask before it splits in two. Other than that,
the most significant thing here is that Kane Hodder debuts as Jason. I’d always
thought he’d played the role prior, but nope this was his first go in the
franchise. There aren’t any particularly big names in the cast, but Terry
Kiser’s performance as a shrink here makes it pretty obvious why the man is
best known for playing a corpse in “Weekend at Bernie’s”. He’s stiff, that is when
he’s not shouting. I’m not sure where this guy got his degree, but I’m pretty
sure yelling at your patient doesn’t help a whole helluva lot. Co-star Susan
Blu’s chief contribution meanwhile, is the worst lady mullet of all-time. It’s
her character’s daughter who brings the film’s telekinesis, ‘coz hey, that’s
what this franchise needs, right? Yeah…no. I did find it interesting that this
was the first series entry to escape with an M15+ rating in Australia instead of
an R18+, considering at one point Jason punches right through a guy’s back. “The
Story of Ricky” got an R18+ for much the same thing (admittedly
more graphic, but still…) I did find Jason’s treatment of said guy’s girlfriend
to be hilariously thuggish, though. Look, it’s a Jason film. Death and gore are
the attraction for it’s audience, different laws of taste apply, OK? That’s
about it for amusement though, the film’s actually incredibly tedious on the
whole. ***** SPOILER ALERT ***** The film also has one of
the worst deaths for Jason ever, possibly even the worst. It’s one of the most
incredibly stupid things I’ve ever seen. And this is from a franchise that
subsequently featured Jason punching a guy’s head clean off with one punch. *****
END SPOILER ***** Like the previous film, this one’s well-shot. Also
like the previous film, that’s about as much as this film has going for it. Scripted
by Manuel Fidello (a pseudonym) & Daryl Haney (“Crime Zone”, “Lords of the Deep”, the softcore “Emmanuelle:
Queen of the Galaxy”), this is a tired series entry that throws all
kinds of crap out to see what sticks. Nothing really does, including Haney
himself who was fired for reasons best explained at IMDb.
In order of badness, this
one sits behind the first two, “Jason Takes Manhattan”, “Jason
X”, and maybe “Jason Goes to Hell”. Really dull, but not the
worst. It is rather amusing that a film about a walking corpse should star the
guy who played Bernie in “Weekend at Bernie’s”, though.
Rating: D+
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