Review: Quatermass and the Pit
An excavation crew working in Hobb's End London
underground station dig up a large metallic object of some kind. Whilst the
bomb squad are called in just in case it’s an explosive device, a humanoid
skull is also found nearby. Prof. Bernard Quatermass (Andrew Keir), inquisitive
Dr. Mathew Roney (James Donald) and his assistant Barbara Judd (Barbara
Shelley) try to figure out what it all means, whilst military Colonel Breen
(Julian Glover) also hangs around, mostly to scoff at any of Quatermass’
theories. Duncan Lamont plays a drill operator who becomes unwell and disturbed
when trying to drill through the structure. Bryan Marshall turns up as a
military Captain.
One of the most popular Hammer films, this 1967
adaptation of the Nigel Kneale TV serial was directed by Roy Ward Baker (“The
One That Got Away”, “Scars of Dracula”, “The Vampire Lovers”)
and scripted by Kneale himself. It’s a slow-starter with some dated elements,
but very well-acted and eventually gripping. The back end is pretty fantastic
and unnerving, I can only imagine audiences of the time found some of it pretty
darn realistic. British audiences in particular probably found some of it
rather haunting, with London providing a perfect backdrop.
There’s some absolutely outstanding scenes in the
film, including an especially unnerving scene with Barbara Shelley that is
wonderfully batshit. I can’t even describe it. The FX work may be a touch
dodgy, but there’s one absolutely startlingly gruesome shot near the end in
particular. For me what holds it back from being as great as its reputation
seems to suggest is the pacing, and the almost docudrama approach can be a
touch dry at times.
Whatever the flaws, there’s still enough to recommend
here. The plot is certainly fascinating and the film is well-acted across the
board. Although he ends up rather underused despite his high billing, the
underrated James Donald is as always rock-solid. Although basically playing a
glorified secretary, Barbara Shelley really comes into her own in the second
half. One of Hammer’s best actresses, she does a wonderful job with some
occasionally very silly material. In support, a troubling Duncan Lamont is
unforgettable in a go-for-broke turn, and Julian Glover does the best he can as
the resident authority figure destined to be wrong about everything. This is
largely the Andrew Kier show however, and the veteran actor plays the title rocket
scientist for all it’s worth, perhaps his finest-ever screen performance.
A very different, offbeat Hammer film and a pretty
solid sci-fi film. It’s slow and a bit dry, but well-acted and quite
interesting at times. Creepy finale is the highlight.
Rating: B-
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